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Hot Love: Dave Hill Goes #NoFilter on the Talkhouse’s Instagram

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Everything is coming together in Julie Doiron&#8216;s world, from embracing her electric past, to embarking on a new and energetic phase of her solo career with some of the most upbeat and inspiring songs of her recording career. Her latest record, I Thought of You, is out now.

Julie Doiron

Ava Mirzadegan is a singer-songwriter based in Philly. Her latest record, For the Light, is out now on Vital Recordings. 
(Photo Credit: Michael Ward-Rosenbaum)

Ava Mirzadegan

Music

Ava Mirzadegan and Julie Doiron Are Willing to Talk About the Heavy Stuff

Vorhex Angel features both members of JEFF The Brotherhood and longtime collaborator Kunal Prakash. Not much has been revealed about Vorhex Angel in terms of intentions or influences. They have no social media presence. Sonically, they cover a range: There’s the damaged, and then there is the even more damaged. In one way or another, all of the music takes cues from a large trove of Japanese noise rock—Les Rallizes Dénudés, High Rise, White Heaven—and uses those influences as a jumping off point for improvisation. Is Vorhex Angel a jam band? Maybe if you swap out the Allman Brothers for Acid Mothers Temple. What we do know: These are lifers fully off the leash, unburdened by the structures of industry, making music as free as a seraphic being floating above a stack of amps in a dive bar.
Their latest record, Drain, is out now on Soul Selects.

Vorhex Angel

Primitive Ring consists of Bert Hoover (Hooveriii, Groop), Jon Modaff (Hooveriii, Groop, Frankie and the Witch Fingers), and Charles Moothart (Fuzz, GØGGS). The three LA based musicians found each other in a collective state of high functioning de evolution, and collectively agreed to bend the knee to the primal instincts of melody and rhythm.
(Photo Credit: Sheva Kafai)

Primitive Ring

Vorhex Angel and Primitive Ring Chat About Drain

Horse Lords is a band founded in Baltimore in 2010, consisting of Owen Gardner (guitar), Max Eilbacher (bass), Sam Haberman (drums), Andrew Bernstein (alto saxophone/percussion). Their latest record, Demand to Be Taken to Heaven Alive!, is out now on RVNG Intl.
(Photo Credit: Kasia Zacharko)

Horse Lords

Mood Board: Horse Lords’ Demand to Be Taken to Heaven Alive!

Your favorite musicians, filmmakers, and other creative minds one-on-one. No moderator, no script, no typical questions. The Talkhouse Podcast offers unique insights into creative work from all genres and generations. <a href="https://pod.link/Talkhouse" target="_blank" rel="noopener">Subscribe now</a>, and explore more illuminating shows on the <a href="https://talkhouse.com/category/podcast" target="_blank" rel="noopener">Talkhouse Podcast Network.</a>

Talkhouse Podcast

Podcast

Aja Monet Talks with Mick Jenkins on the Talkhouse Podcast

Richard Franecki and Karl J. Palouček Talk Tape Experiments, Cassette Networking, and More

The Album Leaf has been making its mark as a soft-spoken innovator steadily and surely since 1999. It&#8217;s clear mastermind Jimmy LaValle is unafraid of thinking outside the box, both as an individual artist and within the larger scope of modern music.
(Photo Credit: Devin Oktar Yalkin)

The Album Leaf

The Album Leaf and Hundred Waters Take Turns

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Talkhouse

Anthony Frith is a writer and director with a love for absurd pop-culture anomalies. His work has taken him to Boston, where he studied the art of churning out novelty songs with cult musician Matt Farley in Lessons From A Middle Class Artist; to Burbank, where he made his feature debut directing a trashy dinosaur movie for the legendary studio the Asylum in <a href="https://www.mockbustermovie.com/" target="_blank" rel="noopener">Mockbuster</a>, which is in theaters from July 10 through Giant Pictures. You can usually find Anthony deep in the rabbit holes of internet folklore, always on the hunt for strange stories from the fringes of pop culture.

Anthony Frith

Film

What I Learned Making The Land That Time Forgot (and Mockbuster!) in Six Days

Chaka Khan: Tell Me Something Good (Music as Medicine with Mei Rui)

Advik Beni is a South African filmmaker and curator currently based in Los Angeles whose new film, mother, you have not died yet. but you will. and when you do, you will finally be alive again, world premieres on July 9 at <a href="https://fidmarseille.org/en/festivals/festival-37/films/mother-you-have-not-died-yet-but-you-will-and-when-you-do-you-will-finally-be-alive-again" target="_blank" rel="noopener">FIDMarseille</a>. Through a practice steeped in South African traditions of orality, their work aims to create imagined spaces for marginalized people to express grief and trauma. They are interested in how these non-hierarchical, hybrid models of filmmaking can encourage a collective mutability amongst rhizomatic pathways – that may lead to an actuality of positive impact on communities; whilst preserving a cultural tradition eclipsed by Western modes of storytelling. Advik is focused on how we can witness each other’s existence, and all that entails, in an attempt to facilitate a tangibility of cross-border solidarity that prioritizes care. Their work has been supported by San Sebastián International Film Festival, Sundance, Prismatic Ground, New Orleans Film Festival, Flaherty Film Seminar, Points North Institute and the Edinburgh International Film Festival amongst others.

Advik Beni

The Things We Carry Home

Robyn Hitchcock

Zoh Amba

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Curls Ultra is an underground post groovy rock band and activist network based in America. The band is known for their exhilarating live shows which feature Boredoms-esque noise jams, Can-inspired kosmiche grooves, and tender ballads depicting the degradation of the American psyche. They have performed at Pitchfork Music Festival, toured across multiple countries and opened for or collaborated with Tame Impala, Ariel Pink, Frank Hurricane, Sunburned Hand Of The Man, Wild Pink, Salesforce Child, and most recently Tim Heidecker’s Dekkar.
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