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Podcast

988. – Nick Axelrod

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Your favorite musicians, filmmakers, and other creative minds one-on-one. No moderator, no script, no typical questions. The Talkhouse Podcast offers unique insights into creative work from all genres and generations. <a href="https://pod.link/Talkhouse" target="_blank" rel="noopener">Subscribe now</a>, and explore more illuminating shows on the <a href="https://talkhouse.com/category/podcast" target="_blank" rel="noopener">Talkhouse Podcast Network.</a>

Talkhouse Podcast

Sondre Lerche is a Los Angeles-based singer, songwriter and film score composer from Norway. His album Patience is out now. You can follow him on Twitter <a href="https://twitter.com/SondreLerche">here</a>.
(photo credit: Marius Hauge)

Sondre Lerche

William Basinski (The Disintegration Loops) Talks with Sondre Lerche on the Talkhouse Podcast

Hailed as a “self-styled poetess, folk goddess, and country waif” by the BBC, Pieta Brown first came to international prominence with the release of her self-titled debut in 2002. Since then she has released multiple highly critically acclaimed albums, EPs and singles, with much attention being paid not only to her distinct sound and style, but also the power of her singing and songwriting, including fan favorite, Paradise Outlaw, which Bon Iver mastermind Justin Vernon has called his “favorite recording made at our studio.” 
Her latest record, Dreamin’ Of, co-produced with Bon Iver’s S. Carey and Mike Lewis, is out August 21, 2026 via Righteous Babe.

Pieta Brown

Music

Pieta Brown, S. Carey, and Mike Lewis Had A Lot of Fun Making Dreamin’ Of

Ben McKenzie is an actor (The O.C., Southland, Gotham) who has become a prominent critic of cryptocurrency through his book Easy Money (2023), and his recent documentary Everyone Is Lying to You for Money (2026).

Ben McKenzie

Is Not Music was founded by Xander Duell as a way to create the artistic infrastructure he couldn’t find in the industry. Is Not Music cultivates projects at the intersection of music, performance, and design. Grounded in collaboration and process, we champion artistic autonomy and ownership.

Is Not Music

Merrill Garbus is the frontperson of Tune-Yards, and a composer whose work includes scores for director Boots Riley’s film projects, most recently I Love Boosters.

Merrill Garbus

Is Not Music.: A Conversation About Scams with Ben McKenzie and Merrill Garbus (Tune-Yards)

Drawing from a long tradition of unabashed freaks and weirdos in NYC, the Brooklyn art rock ensemble Theophobia are about as left of the dial as pop goes. In a music climate largely populated with middle-of-the-road indie rock, Theophobia stand out with a heavy emphasis on spirited charismatic performances, prominent visual components and elements of theater. Their latest record, Theophobia, is out now.

Theophobia

Left at London is the stage name of Nat Puff (she/her), an artist, singer, songwriter, producer, guitarist, bassist, and composer, specializing in indie pop and alternative music.

Left At London

Left At London and Theophobia Have a Sparks-ian Ethos

Alison Star Locke earned a B.F.A. in Filmic Writing from USC, where she won the Jack Nicholson Screenwriting Award. She began her career as a reality TV Story Producer and writing, directing and producing numerous shorts. After staying home to advocate and care for her daughter, who has autism, she returned to work to write and direct The Apology, her first feature, a psychological thriller starring Anna Gunn, Linus Roache and Janeane Garofalo and is available on Shudder, AMC+, Blu-Ray and VOD. Her comedy horror short, Pick Up Time, was laureled up at fests, including Nightmares, Renegade, etc. She recently produced the zombie horror/relationship drama short, Until the End. She lives with her husband and daughter in the LA area. Her work focuses mainly on motherhood, gender disparity, disability and having fun getting your rage out. You can find her on socials at @alisonstarlocke.

Alison Star Locke

Film

Feeding the Babadook in the Basement

<div>As a filmmaker, writer and educator, Tony Gault explores the confluence of personal history and cultural memory.  He is currently writing a memoir about his adventures with addiction, recovery and the mind-manifesting nature of cinema.  His experimental and documentary films have screened at festivals around the world including Edinburgh International, Sundance, Tribeca, NY Underground, Montreal International, Chicago Underground, San Francisco International and have won awards at Black Maria, Ann Arbor, Big Muddy and New Orleans.</div>

Tony Gault

“Noble, Upstanding, Nauseating Liquids”: On The Lost Weekend

Julia Marchese is a filmmaker, writer, actor, podcaster, film programmer, VHS Vixen &amp; film critic. She’s known for directing the award-winning feature documentary Out of Print, an acclaimed exploration of repertory cinema culture and film preservation. She also adapted Stephen King’s short story I Know What You Need into an award-winning short film. Julia co-hosts the podcasts Horror Movie Survival Guide, The Loser’s Club and JodoWOWsky, reviews a VHS from her rainbow wall every day on her social media channels and writes about cinema for Talkhouse. Her work frequently explores nostalgia, genre cinema, physical media culture, and the communal power of moviegoing. She is @juliacmarchese on all platforms.

Julia Marchese

Richies & Rebels: On Ferris Bueller’s Day Off and Pretty in Pink at 40

Nick Dawson talks with filmmakers, musicians and comedians whose work he loves, avoiding the mundane, predictable questions they&#8217;ve heard numerous times and instead asking substantive, thoughtful questions that get to the heart of who they are.

Nobody’s Ever Asked Me That

Nobody’s Ever Asked Me That: Avalon Fast

Song of Rimbaud

Warped depravity in pop bubblegum packaging, Emma Higgins is a writer and director interested in telling stories she hasn’t seen before through a genre lens. Emma’s debut feature as writer-director, <a href="https://fela.tv/work/special-projects/sweetness-first-look/" target="_blank" rel="noopener">Sweetness</a>, premiered at the 2025 SXSW Film Festival to rave reviews and is out now in theaters. A coming-of-age story for the digital age exploring the line between innocent fandom and twisted obsession, it stars Kate Hallett and Herman Tømmeraas. A self-taught filmmaker, Emma established herself directing commercials and music videos, helming Jessie Reyez&#8217;s music video “No One’s in the Room,” which earned the esteemed Video of the Year win at the 2021 Juno Awards. Emma currently lives in Los Angeles, where she enjoys living amongst the coyotes and nurturing the filmmaking community.

Emma Higgins

Sinking into Sweet Uncertainty – Otherwise Known as Making a Movie

Writer-director Carmen Emmi’s award-winning debut feature,<a href="https://www.magpictures.com/plainclothes/" target="_blank" rel="noopener"> Plainclothes</a>, starring Tom Blyth, Russell Tovey, Maria Dizzia and Amy Forsyth, premiered at Sundance in 2025, was released theatrically by Magnolia and is out now on digital. Set in 1997, the film follows a promising undercover officer assigned to entrap gay men, who defies professional orders when he falls in love with one of his targets. Emmi is a filmmaker with deep roots in Syracuse, New York, where he grew up in a family of farmers. After graduating from USC’s School of Cinematic Arts, Carmen began his career as an independent Director of Photography, contributing to a range of projects, including short films, commercials, and feature-length productions. (Photo by Lindsy Avritch.)

Lido Pimienta

Ember Knight and Tristan Wheeler Talk About Being Evil

EP. 309 | The Deepest Dive Into STRUCTURE w/ John Yorke

Madison Cunningham Talks with Johanna Samuels on the Talkhouse Podcast

Life Won’t Look Anything Like You Thought It Would

Transmissions :: Jim James

828: Charlie Mitchell Is Why the Tasting Menu Is Changing

988. – Nick Axelrod

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The Things That Echo: What Four Films Taught Me About Becoming

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Talkhouse Weekly