For the 20th anniversary of Stars’ breakthrough third album, Set Yourself on Fire, we take a detailed look at how it was made. After Torquil Campbell and Chris Seligman grew up together in Toronto, they formed Stars when they were living in New York City. Their first album, Nightsongs, was made with the help of their friends in Metric and several guest singers, including Amy Millan. Deciding to relocate to Montreal, they added Amy Millan and Evan Cranley as full-time members. Their second album, Heart, was released in 2003 by Paper Bag Records and the new label Arts & Crafts, which was co-founded by their friend Kevin Drew of Broken Social Scene. For their ambitious third record, they brought in drummer Pat McGee and producer Tom McFall. Set Yourself on Fire was eventually released in 2004. In this episode, Torquil Campbell discusses the early days of the band as an outlier in the New York City rock scene and how they found their people when they moved to Montreal. He describes his vision of having both male and female vocalists and how when Amy Millan joined, they could start telling stories from two different sides. Amy Millan discusses her initial reluctance to join the band, but how she was able to cement her place as co-lead singer and develop her songwriting voice. She also describes the alchemy of the relationships in Stars and how despite some romantic turmoil within the band around the time of this album, they’ve remained deeply connected to one another decades later. Evan Cranley talks about his musical partnership with Chris Seligman and how the two of them were able to collaborate to develop song structures in an orchestral pop style. Chris Seligman describes how his background in classical music, his love of string arrangements and his perfectionist tendencies impacted the music they made together. From the vibrant Montreal music scene of the early 2000s to an encounter with a stranger in a bar that led to a house where the songs were written to connecting with Tom McFall in London to a big fight in North Hatley to a mad dash to finish string arrangements at that last minute to personal lyrics about love, death and the band itself, we’ll hear the stories of how the record came together.
