Recorded Live at the Museum of Science in Boston on May 8, 2024, musician polymath and Talking Heads co-founder David Byrne talks with The Book of Eels author, Patrik Svensson. Even in today’s age of advanced science, no one has ever seen eels mating or giving birth, and we still don’t understand what drives them — after living…

Encore: LABS: David Byrne and Patrik Svensson on the Eel Question

core/audio

core/classic-editor

Podcast

Ep. 304 | A Tapesetry of World Building and Characters w/ Jennifer L. Armentrout

Special Highlight: Bryan Cranston and Alan Hart on “The Chemistry of Breaking Bad”

Episode 342-2026 Mid-Year Review

Mike Campbell

796: Founder in the Field with Fishwife’s Becca Millstein

Transmissions :: Don Was

Creative

Footer Legal

Main

NavBar

Sections

Topics

Become a subscriber today to get unlimited access

Thanks for reading!

Register to continue

Talkhouse

CS Cleaners is an art punk band based in Brooklyn. Their latest record, What’s This?, is out June 26, 2026 on Wharf Cat.

CS Cleaners

Lathe of Heaven is a post-punk/new wave band from Brooklyn. Their latest record, Aurora, is out now on Sacred Bones. 
(Photo Credit: LJ Ripley)

Lathe of Heaven

Music

CS Cleaners and Lathe of Heaven Talk Their Favorite, Most Busted Shows

Avalon Fast’s new film <a href="https://darkskyfilms.com/film/camp/" target="_blank" rel="noopener">CAMP</a> hits theaters on June 26. They hail from Vancouver Island, BC, and their first film, Honeycomb, which was selected for the 2022 Slamdance Film Festival and went on to screen at Boston Underground, Calgary Underground, Etheria LA, Fantasia, and many more. In 2026, they premiered Drinking and Driving &#8211; co-directed, co-starring, and co-written with Jillian Frank &#8211; at the Los Angeles Festival of Movies. In addition to writing and directing, Fast recently starred in Louise Weard’s cultural breakout trans DIY epic Castration Movie Anthology, co-starred in prolific young filmmaker Alice Maio Mackay’s sapphic horror The Serpent’s Skin, and appeared in Jane Schoenbrun’s recent Cannes sensation Teenage Sex and Death at Camp Miasma.