Note: this podcast contains explicit content. Car Seat Headrest is a band from Seattle. Their newest record, The Scholars, is out soon on Matador Records. We spoke with Will Toledo from the band about the bizarre crime scene involving Weezer&#8217;s bassist&#8217;s wife, Will&#8217;s antiquated ways, the muck of industry dealings, writing a rock opera, really…

779. – Car Seat Headrest

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Lenny Kaye

817: TASTE Travels: Kingston, NY

Transmissions :: Awake, My Soul

979. – Role Model

Nick Dawson talks with filmmakers, musicians and comedians whose work he loves, avoiding the mundane, predictable questions they&#8217;ve heard numerous times and instead asking substantive, thoughtful questions that get to the heart of who they are.

Nobody’s Ever Asked Me That

Nobody’s Ever Asked Me That: Nicolas Winding Refn

816: The Pad Thai–Free Zone with Bangkok Supper Club’s Jenn Saesue

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Talkhouse

Tamara Yajia is an Argentine writer, comedian and former child star who is the author of the memoir <a href="https://www.bloomsbury.com/us/cry-for-me-argentina-9781639733910/" target="_blank" rel="noopener">Cry for Me, Argentina</a>, which is out now in paperback through Bloomsbury. She has written for ClickHole, Funny Or Die, and several TV series, including Acapulco, This Fool and the upcoming Netflix animated series Strip Law. Tamara has performed on The Moth and was featured on NPR&#8217;s Fresh Air with Terry Gross. She lives in Los Angeles with her husband and her dog, Odie.

Tamara Yajia

Film

Evita, Ballet and How I Became “The Girl Who Broke Her Pussy”

Aaron M Olson (aka Aaron MF Olson/Aaron M Fernandez Olson) is a Los Angeles based musician. He composes for film and television and his recording projects include L.A. Takedown, The Musical Tracing Ensemble, Mountain Brews, and other things. He performs live in these and many other groups including, but not limited to Richard Pictures, &#8220;L.A.&#8217;s most grateful Dead cover band.&#8221;
His record Songs Album II is out now on Country Thyme/Drag City.

Aaron MF Olson

Sometimes as a leader, sometimes as a sideman and collaborator; sometimes as an invisible musician but you&#8217;ve heard him: the chest-high bass drum thump, the tightly paired flight of guitars in odd harmony, the disorienting shift in time and texture that resolves itself into song. Chris Cohen has plied the inside and outside folds of pop musical possibility since at least 1978, when he first set infant drumstick to skin at the tender age of three, initiating decades of sonic experimentation across multiple bands and nearly a dozen recordings.
(Photo Credit: Kate Dollenmayer)