Skip to Content
Talkhouse home
Talkhouse home
Music

Best of 2019: FKA Twigs’s “Cellophane” Did It for Lillie West (Lala Lala)

The Chicago-based artist talks her favorite song (and music video) of the year.

8:00 AM EST on December 19, 2019

It was really hard, but I picked “Cellophane” by FKA Twigs, the song and the video. I can’t remember how I first heard it. I think it was just the whisperings — “She’s back!” It was the first song she released from the new album, and I watched the video with the song.

I just thought it was so incredibly enchanting and engaging in every way. The beginning of the video is so dramatic — I thought maybe it was a reference to The Fifth Element where the alien is singing, and then the alien dies. I don’t know if it actually references that at all, but… 

Also, the production of the song. It feels so simple and so quiet with the synths and her voice, and the sound of her shoe moving on the glass. Also, she’s obviously an amazing dancer. I was totally enchanted with what she was doing right off the bat.

“Didn’t I do it for you?” is the most heartbreaking, relatable lyric of all time. When you are rejected by someone in any way, shape, or form — this is specifically romantic, but any way, there’s still this part of your brain that’s like, Why didn’t I do it for you? Why wasn’t I good enough? She says it in all different ways: “Didn’t I do it for you?”; “Why don’t I do it for you?”; and then, “Everything I do is for you.” It’s just so devastating. It touches a nerve for, I think, every person. It’s so real.  

Something that I have been thinking about is, there’s this Tim Kinsella piece I really like that he wrote. It’s specifically about Chicago, but it’s about hybridity. I think that, with this song, she’s walking the line as she often does between vulnerability and strength and sexuality. She talks about that — she’s all about being all these things at once. I actually thought about that piece and her stuff, because that’s what I’ve always loved about Chicago — it’s all these different things coming together. She’s the master of walking the line between worlds and feelings and genres and spaces. She’s never one thing. 

This album I’ve really dove in and been like, This is a true visionary. I think this is one of the best songs I’ve ever heard, and videos I’ve ever seen. 

As told to Annie Fell. 

Related Stories

Stephen Steinbrink and Foot Ox Reminisce About Tempe DIY

The old friends talk growing up in Arizona, their new records, and much more.

November 12, 2026

GracieHorse and Chris Cohen Are a Little Superstitious

The collaborators talk spooky experiences, US Maple, and the making of Breaking and Entering.

November 10, 2026

Mood Board: Hour’s Ghost Bridge

Michael Cormier-O’Leary on how surprise parties, Margaret Millar, and more influenced the ensemble’s new record.

Eugene Mirman Talks with Robyn Hitchcock on the Talkhouse Podcast

The comedian/Bob's Burgers star chats spacemen, criminal animals and more with the legendary psychedelic popster

Horse Jumper of Love and Shallowater Invent a New Kind of Bass

Dimitri Giannopoulos and Tristan Kelly talk alt tunings, Alexander the Great, and the 10th anniversary of Horse Jumper of Love.

November 5, 2026

Lou Turner and Anne Malin Ringwalt Are Serious About Playfulness

The artists exchange missives on Fanny Howe, wordplay, fear, their grandparents, and more.

November 4, 2026