On this episode we're speaking with actor and comic Ayo Edebiri. Have you checked out The Bear, a new show on FX that is one of the finest representations of the white-knuckle restaurant world in popular culture since, well, Kitchen Confidential was first published? Ayo joins us to talk about her important role on the show and how she prepared to play the role of Sydney Adamu. We also find out about Ayo’s real-life work in restaurants, and we get into some behind-the-scenes talk about filming on location in Chicago. Last, we learn about shooting what many (us, at least) consider the greatest episode of television to air this year. This is such a great conversation!   More from Ayo Edebiri: Meet Ayo Edebiri, the Breakout Star of FX’s Intense New Show The Bear [Glamour] The Bear Renewed for Season 2 at FX [Variety]In The Bear on Hulu, a Kitchen Staff Is Nearly Eaten Alive [New York Times] Watch: The Bear

123: Ayo Edebiri

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Writer, director and producer Kerry Mondragon’s latest film, the pscyhedelic jungle thriller <a href="https://dekanalog.com/film/wetiko-detail" target="_blank" rel="noopener">Wetiko</a>, is out now on digital. Best known for his films, Tyger Tyger (2020) and Meet Me at a Funeral (2015), Mondragon was born and raised in the ancient haunts of the Sonoran barrios and borderlands of the Mexican desert, a landscape populated by wild poets, peyote roadmen, and saintly Mexican grandmothers. He wrote poetry at an early age and corresponded with Allen Ginsberg at age 10, until Ginsberg&#8217;s death. After his biological father left, he was raised by his mother and step-father (turned-father,) they relocated to Marin County, California where he was blasted by the culture shock of a very different world. He discovered the dark shadow side of the wealthy county – a youth scene of bullying, trauma, drugs, alcohol – and was disgusted by the spiritual pretense of their culture. Bullied out of middle school and unable to adjust to high school, he lived the life of the youth underworld of one of the nation’s wealthiest towns. Throughout, he honed his artistic skills, he dropped out of college, worked at an ad agency and used that money to jump onto a crowd-funded Spike Lee feature film where he assisted the legendary director in prep and principal photography. This served as his film school. Upon returning to California and after significant life experiences, he resolved to make something pure, honest, and true – something stripped of all Hollywood illusions that was recognizable to those still lost in the pain of addiction – something to give hope to the hopeless. (Photo by Federico La Tona © Uninflected Pictures.)
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123: Ayo Edebiri

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