It laid the groundwork for her entire film career. It set the mold for every rom-com that followed. Though it wasn’t her directorial debut, you just don’t do Nora Ephron without covering When Harry Met Sally. We invited Slate critic and podcast host Dana Stevens (Culture Gabfest, Flashback) to discuss the 1989 classic and ask…

When Harry Met Sally… with Dana Stevens

core/audio

core/classic-editor

Nick Dawson talks with filmmakers, musicians and comedians whose work he loves, avoiding the mundane, predictable questions they&#8217;ve heard numerous times and instead asking substantive, thoughtful questions that get to the heart of who they are.

Nobody’s Ever Asked Me That

Podcast

Nobody’s Ever Asked Me That: Kirsten Johnson

792: Vibe Coding Your Restaurant Recs Map Is the Worst with Eater’s Nadia Chaudhury

957. – Chris & Jason

Disclosure Day

791: Solid Wiggles Doesn’t Call It a Jell-O Shot

790: Brendan Chareoncharutkun Built Uncle’s Thai Food. Curry Fans Are Following.

Creative

Footer Legal

Main

NavBar

Sections

Topics

Become a subscriber today to get unlimited access

Thanks for reading!

Register to continue

Talkhouse

sweet93 embodies the hazy, drifting summers of the early ‘90s — a time when the lullabies of Slowdive and the sweetness of Mazzy Star ruled the alternative rock scene. Based in NYC, sweet93&#8217;s songs are the soundtrack to a waking dream.

sweet93

Louise Trehy and Mike Mason met in early ‘90s Camberwell, London. Both were deeply involved with the independent music scene of the time; Louise co-founded Setanta Records (home of The Divine Comedy, Edwyn Collins, and Into Paradise), and Mike traversed between bike courier, video director, and lighting designer for Spacemen 3, Slowdive, Spiritualized, Curve, and Chapterhouse. Prompted by Louise, they started writing songs together as Swallow.
(Photo Credit: Matt Anker)

Swallow

Music

Swallow and sweet93 Don’t Make Their Beds

Zyortza is a Spanish writer-director based between Los Angeles and Spain whose work explores identity, cultural duality, and the resilience of immigrant women. With a background in acting and degrees in Film Production and African-American Diaspora Studies and an MFA in Film Directing, she has a storytelling style that blends emotional rawness with sociopolitical depth. Her latest short film, <a href="https://www.idesmovie.com/" target="_blank" rel="noopener">I Don’t Even Skate</a>, follows Nahiki, an undocumented girl chasing a dream on wheels while battling exploitation and survival in the shadows. The film, now on the festival circuit, captures the stakes of choosing between safety and self-determination. Zyortza creates in both Spanish and English and is currently developing her debut feature, to be shot across Spain and Los Angeles. More at <a href="http://www.zyortza.com" target="_blank" rel="noopener">zyortza.com</a>.