Episode two of WeTalk SXSW 2019 captures a conversation on the impact of disruptive technologies and how they can help people share their stories.

WeTalk — Disruptive Technologies for Good

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Jana Naomi Smith is the writer-director behind the two-time Ambie and Tribeca Film Festival award-winning audio drama, <a href="https://www.redforrevolution.com/" target="_blank" rel="noopener">Red for Revolution,</a> a six-part series exploring love and liberation starring Danny Glover, Jennifer Beals, Aunjanue Ellis-Taylor, Vanessa E. Williams and more. Previously, Jana wrote the podcast <a href="https://www.youtube.com/watch?v=d1uS3Rie3yo&amp;t=11s" target="_blank" rel="noopener">Built to Last</a>, hosted by Elaine Welteroth and featuring Issa Rae and Kimberly Drew, and is the creator of the meditation series <a href="https://www.jnsmeditations.com/" target="_blank" rel="noopener">Relax, Relate, Release</a>, featuring insights from Dr. Maya Angelou, Ruby Dee, Dr. Angela Davis and others. In 2024, she launched <a href="https://patreon.com/relativelyconscious?utm_medium=unknown&amp;utm_source=join_link&amp;utm_campaign=creatorshare_creator&amp;utm_content=copyLink" target="_blank" rel="noopener">Relatively Conscious</a>, a multimedia space inspired by the words of James Baldwin, which hosts bi-monthly in-person and virtual events. She is a recipient of the Ida B. Wells Disrupting the Master Narrative Award for her short film Baptême, and is currently participating in the Chicago International Film Festival Lab, bringing to life her debut narrative feature film.

Jana Naomi Smith

Film

Finding the Revolution Within

Nick Dawson talks with filmmakers, musicians and comedians whose work he loves, avoiding the mundane, predictable questions they&#8217;ve heard numerous times and instead asking substantive, thoughtful questions that get to the heart of who they are.

Nobody’s Ever Asked Me That

Podcast

Nobody’s Ever Asked Me That: Peter Dreimanis and Leah Fay Goldstein

Julia Marchese is a filmmaker, actor, podcaster, cinephile and film programmer living in Hollywood, California. Her first film was the award-winning documentary Out of Print, about the importance of revival cinema and 35 mm exhibition to culture, and she is currently the co-host of the popular horror podcast Horror Movie Survival Guide. She recently crowdfunded on <a href="https://www.indiegogo.com/projects/i-know-what-you-need-a-stephen-king-adaptation" target="_blank" rel="noopener">IndieGoGo</a> for her forthcoming Dollar Baby short film I Know What You Need, based on Stephen King&#8217;s story of the same name from Night Shift. You can find her on Twitter, Facebook and Instagram at @juliacmarchese.

Julia Marchese

Out of Print is Back in Print!

Corrin Evans is a filmmaker exploring themes of shadow integration, eroticism, death and the supernatural. She began her career in Hollywood as an actor (La La Land, Jett) before moving into writing and directing for screen. In the past decade, Corrin crafted numerous short films exploring dark and erotic themes, including award-winners Enough and Cousins. Alongside her filmmaking, she spent many years working as an intimacy coordinator on titles including American Horror Stories, MaXXine, Magazine Dreams, and more. Her creative work also extends to live performance: she co-wrote the critically acclaimed dinner theatre experience Van Helsing’s Dracula, a sapphic reimagining of the classic tale, and performs regularly with Sweven, an erotic performance art troupe based in Los Angeles. <a href="https://fantasiafestival.com/en/film/corpus%C2%A0" target="_blank" rel="noopener">Corpus</a>, Corrin’s feature directorial debut, premieres at Fantasia International Film Festival on July 26.

Corrin Evans

How Erotic Cinema Set Me Free

Georgia Bernstein is a Los Angeles-based writer, director and producer. Her debut feature, <a href="https://www.independentfilmco.com/films/night-nurse" target="_blank" rel="noopener">Night Nurse</a>, premiered at the 2026 Sundance Film Festival and is out now in theaters through IFC. The erotic thriller, set in a retirement community, explores the compulsive side of caregiving. At Sundance, Night Nurse was named one of IndieWire’s Top 5 Best First Features and included in the Los Angeles Times’ festival favorites. (Photo by Lindsey Kusterman, courtesy Sundance Institute.)

Georgia Bernstein

The Numb Stage of Nymphomania

Nobody’s Ever Asked Me That: Abel Ferrara

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Talkhouse

Holy Wave is a four-piece band from Austin, Texas. Their latest record, i’m DADA, is out now on Suicide Squeeze.

Holy Wave

Music

Mood Board: Holy Waves’s i’m DADA

815: Anthony Bourdain’s Life Was a Movie. Matt Johnson Directed It.

977. – Helado Negro

Allison Russell

Your favorite musicians, filmmakers, and other creative minds one-on-one. No moderator, no script, no typical questions. The Talkhouse Podcast offers unique insights into creative work from all genres and generations. <a href="https://pod.link/Talkhouse" target="_blank" rel="noopener">Subscribe now</a>, and explore more illuminating shows on the <a href="https://talkhouse.com/category/podcast" target="_blank" rel="noopener">Talkhouse Podcast Network.</a>

Talkhouse Podcast

Brian Fallon (The Gaslight Anthem) Talks with Greg Barnett (The Menzingers) on the Talkhouse Podcast

Producer/director&nbsp;Ondi Timoner has the rare distinction of winning the Grand Jury Prize at the Sundance Film Festival twice. Her 2004 doc, <a href="http://www.interloperfilms.com/portfolio/dig/">Dig!</a>, explores the star-crossed rivalry of the Dandy Warhols and the Brian Jonestown Massacre, while her 2009 top prize-winner, <a href="http://www.interloperfilms.com/portfolio/we-live-in-public/">We Live in Public</a>, examines privacy in the virtual age through Internet visionary Josh Harris&#8217; social experiments. Her company <a href="http://atotaldisruption.com">A Total Disruption</a>&nbsp;releases weekly short docs about thought leaders and doers who are transforming our lives through technology.

Ondi Timoner

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Lauren Caster is a writer, director, and actor based in Los Angeles, deeply connected to Southern California. Raised by a lesbian mother who conceived her through an anonymous sperm donor, Lauren is committed to telling LGBTQ+ stories, reflecting her personal journey and the diverse family structures she grew up with. Her semi-autobiographical feature film debut, <a href="https://rhythmisadancer.utopia.film/buy-tickets?utm_source=ig&amp;utm_medium=social&amp;utm_content=link_in_bio" target="_blank" rel="noopener">Rhythm is a Dancer</a>, in which she stars opposite Amy Aquino and Tate Donovan, plays the Roxy Cinema in New York City on July 16 and 17. Her filmmaking journey began with her short film Donor Baby, which was picked up by Amazon. This success led to additional shorts, Plan C and Becoming, creating opportunities such as a development deal with Lifetime after winning The Wrap’s Pitchfest for emerging female filmmakers. Lauren later served as associate producer on Lifetime&#8217;s You&#8217;re Not Supposed To Be Here, a story she wrote, which was nominated for a GLAAD Award for Outstanding Movie (Streaming or TV).

Lauren Caster

The Stories We Invent Before We Have Language