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Talkhouse

Beijing duo Gong Gong Gong 工工工’s raucous debut LP, Phantom Rhythm 幽靈節奏, was recorded live in a room, on open-reel tape, with little more than vocalist and guitarist Tom Ng’s 60-year-old Italian pawn shop guitar and bassist Joshua Frank’s 1970s imitation P-bass. The minimalist group created a drummer-less sound that was more than the sum of its parts, inspired by back-porch blues, Sahelian guitar music, New York no-wave, Cantonese lion dance percussion, and, seemingly most incongruously, techno.
On Phantom Rhythm Remixed, Gong Gong Gong bring to life a concept they’ve planned since the release of their acclaimed debut, curating their favorite China-connected electronic music producers to remix Phantom Rhythm in its entirety. The globe-spanning collaboration features Yu Su (Vancouver/Kaifeng), Zaliva-D, Simon Frank, Howie Lee (Beijing), Mong Tong, Scattered Purgatory (Taipei), Knopha (Xiamen), Wu Zhuoling (Chengdu), Angel Wei (Copenhagen), and P.E. (Brooklyn). The LP will be released by Wharf Cat Records in collaboration with Beijing’s bié Records.

Gong Gong Gong

Music

Gong Gong Gong, Yu Su, and Howie Lee Talk “DIY Culture” in China

Your favorite musicians, filmmakers, and other creative minds one-on-one. No moderator, no script, no typical questions. The Talkhouse Podcast offers unique insights into creative work from all genres and generations. <a href="https://pod.link/Talkhouse" target="_blank" rel="noopener">Subscribe now</a>, and explore more illuminating shows on the <a href="https://talkhouse.com/category/podcast" target="_blank" rel="noopener">Talkhouse Podcast Network.</a>

Talkhouse Podcast

Podcast

Revisited: Mac DeMarco Talks with Dayglow on the Talkhouse Podcast

Loren DiBlasi is a writer and musician from New York. She is the bassist of post-punk band <a href="https://patio-bandcamp.bandcamp.com/" target="_blank" rel="noopener" data-saferedirecturl="https://www.google.com/url?q=https://patio-bandcamp.bandcamp.com/&amp;source=gmail&amp;ust=1558011684779000&amp;usg=AFQjCNFJ9loT6K1Ygxmofcf9l1xKipQRiQ">Patio</a>. Her writing has appeared in MTV News, Vulture, and NPR Music.

Loren DiBlasi

How Artists Are Keeping DIY Alive in 2021

american poetry club is six kids in a basement, not too far from you, doing their very best to capture the sound of self-esteem. they don’t have it down quite yet, but they’re putting in the work, and they’re getting closer all the time. Their six-song EP, do you believe in your heart?!, is out February 2021.

american poetry club

To All the Hours Lost on Blogspot

Mac DeMarco Talks with Dayglow on the Talkhouse Podcast

Dream Nails are a punk force to be reckoned with. The hotly-tipped band was founded by feminist activists in 2015, mixing unapologetically political content with pop punk joy. The female fourpiece have built a reputation across the UK, Europe and Scandinavia for their riotously feel good live shows.

Dream Nails

Punk Rock’s Gonna Be Fine

Las Nubes’ undeniably catchy songs transition from melancholy dream pop to blistering punk rock as easily as their lyrics do from English to Spanish.  Recently named “Best Band” by the Miami New Times, the core trio of Ale Campos (guitar/vocals), Nina Carolina (bass/vocals), and Emile Milgrim (drums), along with rotating live members Steph Taylor (The State Of), Gabriel Duque (Zeta), and Cuci Amador (Afrobeta), have become one of “South Florida’s most beloved bands &#8211; a distinction they’ve earned through hard work and infectious hooks.”
The band’s debut album, SMVT, released via the SRR Label in summer 2019, and has retained constant momentum through rigorous promotion, engaging social media, one-off events, and multiple tours. To date, Las Nubes has shared stages with Shannon And The Clams, Jens Lekman, The Coathangers, Sheer Mag, Mark Sultan, Torche, and more. Most recently, they were invited to perform as Iggy Pop’s backing band for a GUCCI x Snap event celebrating the debut of Harmony Korine’s 3D short film Duck Duck in December 2019 during Miami Art Week.
(Photo Credit: Gabriel Duque)

Las Nubes

Hear First: Las Nubes and Palomino Blond’s Split EP

Based in Austin, Texas, Hovvdy (pronounced “howdy”) is the writing and recording project of Charlie Martin and Will Taylor.
(Photo Credit: Taylor Clark)

Hovvdy

Hovvdy and Dijon Talk the New Frontier of the “Self-Centered DIY Bedroom Musician”

Shamir is Shamir and remains Shamir through and through, no matter what the universe puts him through. You may know the singularly named artist (think—Madonna or Cher) from his 2015 debut hit record Rachet, beloved by NPR listeners and club kids alike. After quickly rising to underground fame with his Northtown EP in 2014, the DIY pop star made a sonic splash with Rachet’s lead single “On The Regular,” a poppy banger that had extensive commercial usage. But how to follow all that up? Shamir, who came from the dusty dunes of Las Vegas, to Brooklyn’s Silent Barn, to the Philly indie scene (and all over the world in between), wanted to go back to what had inspired him from the beginning. Outsider music, country &amp; punk. Raw and vulnerable tunes, stripped down to their emotional core. 2017’s Revelations explored a new avenue of guitar driven hooky indie rock and was widely critically praised in the US and overseas.
Shamir’s most recent releases, the brilliant Room 7” on Father/Daughter, and his self-released limited edition album, Resolution, are pinnacles in the catalog of the increasingly fascinating artist’s career. Room and its b-side Caballero celebrate Shamir’s love of country music, while Resolution is a deeply introspective look into the fabric of society and the artists’ own mind.  With these two releases he has refined his craft exponentially and done so in less than six months from the release of Revelations.

Shamir Bailey

Remembering Daniel Johnston

Deeper&#8216;s Shiraz Bhatti, Nic Gohl, and Drew McBride take a thoughtful and direct approach with their songwriting, yielding spry melodies and inventive structures. It’s a clever combination of jagged post-punk and refined indie rock. A tightly wound rhythm section teeters on the edge, but is anchored by intricate guitar interplay and saturated with an enigmatic spirit. Their first album, 2018’s Deeper channeled the anxiety of change in everyday life and navigating the unhinged political atmosphere. Run takes a more existential approach, reaching down past the emotion and staring back at the inner.
Backed by an astutely scientific cover of the John Maus rarity “Bennington”, Deeper sheds the searching bottled up in previous material, carving out an ambit distinctly their own. Brisk, pointed and efficient, and no note wasted, Run b/w Bennington, a new 7 Inch out in October 2019, sets the stage for the Chicago trio’s sophomore LP.
(Photo Credit: Brendan Carroll)

Deeper

Love is everyday magic. That’s the impression you get listening to Water, the new album by Chicago trio Dehd. Love rises up into the atmosphere like steam off a summer sidewalk and makes you wild. Love breaks your heart and you consider yourself lucky for it. Like water itself, it surrounds us, it supports us; it’s what we’re made of. It takes the shape of its container.
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That’s something Jason Balla, Emily Kempf, and Eric McGrady discovered quickly after forming Dehd in 2014. Balla and Kempf are both veterans of Chicago’s increasingly fruitful DIY scene (Balla with Ne-Hi and Earring, Kempf with Vail and formerly with Lala Lala). When they joined forces with first-time drummer Eric McGrady, they discovered they shared a strange and inexplicable chemistry. The music they make — hazy and reverb-drenched, a scuzzy and hyped-up take on surf rock that could only come from the Third Coast — came so intuitively, it made all three feel like they were stewards of something bigger than themselves, even while that very thing is unmistakably drawn from their own personalities.
Water finds Dehd’s three members united as they push themselves beyond their natural limits and end up in places they wouldn’t have imagined. Balla’s production incorporates flubbed notes and dropped beats, and it emphasizes he and Kempf’s occasionally strained voices. It’s all animated by the red-lining feel-good spirit of the Velvet Underground’s Loaded and the breezy melodicism of C86-era indie rock, with a dash of the Cramps’ spooky-hop bop courtesy of McGrady’s locomotive drumming.
Which makes Water feel like a different kind of record: It’s at once a mature and grounded look at adult relationships, and a raucous celebration of friendship, and a cracked piece of purely musical bliss. It’s a clear-eyed look at the wild nature of everyday life that’s been spun up in sugary sweet melodies and scratched-crystal sounds.
(Photo Credit: Alexa Viscius)
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Dehd

Dehd and Deeper Talk Chicago’s DIY Family Unit

Shehzaad Jiwani is a musician, producer, writer and director from Toronto. He fronts the band Greys and performs solo under the name Golden Drag. As a producer, Shehzaad has worked with bands like The Dirty Nil, Casper Skulls, and Patio. His writing has appeared in Brooklyn Vegan, Hazlitt, Metro Toronto and others. He is currently filming his first documentary.

Shehzaad Jiwani

Patio’s Essentials is Disarmingly Mature

Sam Goblin currently lives in Tallahassee, FL and plays music with Mister Goblin and Deady. He hopes to never, ever, ever become a music writer.

DIY