Emily St. James (Vox) joins Griffin and David this week to discuss 2005’s Israeli espionage thriller, Munich. But is this movie’s lasting legacy being a reference in Knocked Up? What does it mean when Jeffrey Wells leaves behind his hat? What was with those sex scenes? Together, they go on the record with Oscar picks,…

Munich with Emily St. James

core/audio

core/classic-editor

Podcast

Mike Campbell

796: Founder in the Field with Fishwife’s Becca Millstein

Transmissions :: Don Was

961. – Matt Spicer

Nick Dawson talks with filmmakers, musicians and comedians whose work he loves, avoiding the mundane, predictable questions they&#8217;ve heard numerous times and instead asking substantive, thoughtful questions that get to the heart of who they are.

Nobody’s Ever Asked Me That

Nobody’s Ever Asked Me That: Goran Stolevski

795: Toshi Kizaki’s Retirement Project Won Him a Michelin Star

Creative

Footer Legal

Main

NavBar

Sections

Topics

Become a subscriber today to get unlimited access

Thanks for reading!

Register to continue

Talkhouse

Avalon Fast’s new film <a href="https://darkskyfilms.com/film/camp/" target="_blank" rel="noopener">CAMP</a> hits theaters on June 26. They hail from Vancouver Island, BC, and their first film, Honeycomb, which was selected for the 2022 Slamdance Film Festival and went on to screen at Boston Underground, Calgary Underground, Etheria LA, Fantasia, and many more. In 2026, they premiered Drinking and Driving &#8211; co-directed, co-starring, and co-written with Jillian Frank &#8211; at the Los Angeles Festival of Movies. In addition to writing and directing, Fast recently starred in Louise Weard’s cultural breakout trans DIY epic Castration Movie Anthology, co-starred in prolific young filmmaker Alice Maio Mackay’s sapphic horror The Serpent’s Skin, and appeared in Jane Schoenbrun’s recent Cannes sensation Teenage Sex and Death at Camp Miasma.