Tracing back to the beginnings of when music on the radio began to slowly fracture and morph in the late 50’s, Emil returns to a small fleet of songwriters in the Teen Heartthrob era that began to dream of a coming world of freedom and evolution in the art of songform. Driven by the seizing of a personal power outside of the need to please the crowd, these writers leaked actual emotions into their recordings which set the stage for bands like the Beatles to flex an intellectualism that couldn’t have been hypothesized a few years before.
This setting is established by the epic meeting of Bobby Vee and Bob Dylan in a record store in Fargo, North Dakota in 1959. Dylan lasts two weeks in Vee’s band after greatly misrepresenting his skill set and then Bobby Vee goes on to become an international superstar without him, showing Dylan that the dream is really possible. Then when Dylan makes his return to the market with a fully developed image, he ends up eviscerating Bobby Vee’s entire genre and the world would never be the same. This is part one of “the Dawn of Selfishness”.
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