film essay
The Yellowing Wallpaper of the 1990s
Director Megan Griffiths on '90s nostalgia, normalized predatory behavior and her new coming-of-age film, Year of the Fox.
On Nature and Creativity
The award-winning international actress, whose new film Went Up the Hill hits theaters today, on her connection to the wilds.
Music in the Key of Blue: How Making a Film About a Teen With Synesthesia Helped Me Discover My Own Neurodivergence
Writer-director Nicola Rose on the way in which her new film, Magnetosphere, suddenly became very personally resonant for her.
Hair Hopper For Life
Filmmaker Julia Marchese on two crowd-pleasers from 1988 that make an irresistible double bill: The In Crowd and Hairspray.
Please Don’t Ask Me That: Kelsey Taylor Interviews Herself
As her debut feature To Kill a Wolf hits theaters, writer-director Kelsey Taylor comes face to face with her harshest critic ...
Revisited: The Summer I Wanted to Be American
Canadian writer-director Philippe Lesage, whose new film Who By Fire came out earlier this year, looks back on a simpler time.
Shadow Work: From Once Were Warriors to Angela’s Shadow
Writer-director Jules Arita Koostachin on the profound impact Lee Tamahori's 1994 film had on her and her new film, Angela's Shadow.
Revisited: How I Made Summer Night — Even Though the Money Fell Through a Week Into Shooting
Actor Joseph Cross on how he fulfilled a childhood ambition by directing his first movie, thanks to a crew who went above and beyond.
As a Disabled Filmmaker, I Don’t Owe You Radical Transparency
Sundance winner Reid Davenport, whose new doc Life After opens today, on the often-gruelling experience of engaging with the public.
My Secret Past as Harpo Marx and Jeff Spicoli
Filmmaker Julia Marchese on her previous incarnations as one of the great screen mimes and Sean Penn's iconic stoner dude.
The Creative Process: A Visual Essay
Filmmaker Lilian T. Mehrel offers a glimpse into the creative process behind her debut feature Honeyjoon, which premiered at Tribeca 2025.
How to Rent out a Theater Without Breaking the Bank
Writer and filmmaker Lily Lady on "peppers," Fried Green Tomatoes and a new way of helping cinemas stay alive.











