Directing
Nobody’s Ever Asked Me That: Tim Blake Nelson
The beloved actor, writer-director, playwright and novelist, who's currently starring in Bang Bang, gets candid.
The Screwball Cure
Doin’ It director Sara Zandieh on how comedy has been crucial to her as a coping mechanism, a lifeline, a source of deep connection.
Three Great Things: Mike Figgis
The Oscar-nominated writer, director and musician, whose new film Megadoc is in theaters today, shares a trio of personal favorites.
Music in the Key of Blue: How Making a Film About a Teen With Synesthesia Helped Me Discover My Own Neurodivergence
Writer-director Nicola Rose on the way in which her new film, Magnetosphere, suddenly became very personally resonant for her.
Please Don’t Ask Me That: Kelsey Taylor Interviews Herself
As her debut feature To Kill a Wolf hits theaters, writer-director Kelsey Taylor comes face to face with her harshest critic ...
Shadow Work: From Once Were Warriors to Angela’s Shadow
Writer-director Jules Arita Koostachin on the profound impact Lee Tamahori's 1994 film had on her and her new film, Angela's Shadow.
Revisited: How I Made Summer Night — Even Though the Money Fell Through a Week Into Shooting
Actor Joseph Cross on how he fulfilled a childhood ambition by directing his first movie, thanks to a crew who went above and beyond.
The Down and the Fortress of Numbness
Writer-director Tzvi shares the two letters he wrote to his cast and crew during the making of his upcoming second feature, The Down.
Swimming with the Alligators
Writer-director-star Uttera Singh allows herself a few tangents as she tells the story of how her debut feature, Pinch, came to be.
Heads Carolina, Tails California
Lovell Holder, the writer-director of Lavender Men and producer of The Surrender, on the pleasures of being (accidentally) bicoastal.
How Filmmaking Became My Escape from Intimacy
Director and cinematographer Jon Bregel on creative burnout and rethinking how to make filmmaking play a truly positive role in his life.
I Made a Movie for an Industry That Didn’t Want It
Writer-director Vincent D’Alessandro on the challenges he faced finding a home in the world for his debut feature, Bottom Feeders.











