Film
Silence Isn’t An Option
Cherien Dabis, whose Oscar-shortlisted All That's Left of You opens tomorrow, on the imperative nature of telling Palestinian stories.
Best of 2025: Actor Hunter Doohan on Chloé Zhao’s Hamnet
The buzzed-about young actor, who can currently be seen in The Wilderness and Wednesday, on his favorite movie of the past 12 months.
Revisited: The Impossibility of Promoting a Movie During a Genocide
Palestinian-German writer-director Lexi Alexander on the difficulties of releasing her new feature Absolute Dominion at this moment in time.
Revisited: On Nature and Creativity
The award-winning international actress, whose new film Went Up the Hill came out earlier this year, on her connection to the wilds.
Revisited: Becoming the Green Door, or How Working in Porn Shaped Me as a Filmmaker
Scott Cummings, whose film Realm of Satan is out now, looks back on his unlikely roots in adult entertainment.
Revisited: Hound & I: How Growing Up the Daughter of Actor Kevin Corrigan Shaped Me as an Artist and Person
Sadie Bones, whose debut feature If That Mockingbird Don’t Sing is out now, on the joy of watching movies with her dad.
Revisited: My Dad Was One Battle After Another
Filmmaker Deborah Goodwin on the resonant parallels between her own family life and Paul Thomas Anderson's latest movie.
Revisited: Nobody’s Ever Asked Me That: Vera Drew
The People’s Joker’s writer-director-star was the first guest on Talkhouse’s new intimate deep-dive podcast series hosted by Nick Dawson.
Revisited: Sex and the Movies
Writer-director Jane Weinstock, whose new movie Three Birthdays is out now, explores the depiction of sexuality on screen.
Revisited: Three Great Things: Tim Key
The English comedian, actor and poet, whose new movie The Ballad of Wallis Island came out this year, on a trio of cultural essentials.
Some Holiday Spirit: On Film and Chosen Families
Haroula Rose offers up an outtake reel from her new film All Happy Families, and ponders how movies have helped her find her chosen family.
The Mind-Crawling Horror of a Perpetual Christmas
Filmmaker Julia Marchese on why Terry Gilliam’s dystopian classic Brazil is her favorite holiday movie of all time.











