Deborah Goodwin
Deborah Goodwin is a writer-director-producer whose work in film and television began as a development executive for Sanford-Pillsbury Productions (Desperately Seeking Susan, River’s Edge, How to Make an American Quilt). Deborah’s Urbanworld Film Festival Best Screenplay win for her darkly provocative family drama Cherrys launched her filmmaking path. She has written for Emmy-winning and Independent Spirit Award-nominated producers, and for shows like the cult favorite horror series Tales from the Cryptkeeper. She is a Film Independent and IFP lab fellow and an ABC and NBC diversity showcase director, best known for her horror fable Vampires in Venice and her action/drama The Pastor, released by Fathom Events and AMC. Her Icelandic noir Snaeland, which she co-wrote and produced, premiered at the Vail Film Festival and screens in the Brooklyn Film Festival 2020. Deborah is a Sundance Collab advisor and screenwriting professor at Brooklyn College, and a newly minted co-creator and writer of the noir-crime-thriller series Hot Freeze, with Canadian producer Nomadic Pictures (Hell on Wheels, Van Helsing, Fargo).
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Revisited: My Dad Was One Battle After Another
Filmmaker Deborah Goodwin on the resonant parallels between her own family life and Paul Thomas Anderson's latest movie.
My Dad Was One Battle After Another
Filmmaker Deborah Goodwin on the resonant parallels between her own family life and Paul Thomas Anderson's new movie.
On Weapons and Trumpism
Filmmaker Deborah Goodwin explores the parallels between Zach Cregger's new box-office hit and what's happening politically in the U.S.
The Little People
Writer-director Deborah Goodwin looks back to her childhood as she tries to make sense of the current political moment.
Moneyball, AI and the Future of the Old Playbook?
Writer-director Deborah Goodwin looks at what Bennett Miller's 2011 sports drama can tell us about the current WGA and SAG-AFTRA strikes.
How Severance Perfectly Parallels the Absurd Speakership Debacle
Filmmaker Deborah Goodwin unpacks the uncanny echoes of TV’s best show she found in Kevin McCarthy’s bumbling bid for power.
On Black Storytelling and Why Hollywood Must Irrevocably Change
Deborah Goodwin looks back on her personal experiences as a Black filmmaker and calls for a systemic transformation of the film industry.





