Film
Delusion and the Artist
Shannon Plumb on her debut feature Towheads, now streaming on the Criterion Channel, and what it takes for filmmakers to keep going.
A Walk with My Dog and Falling (Back) in Love with the Journey
Serena Dykman on the unlikely genesis of her Humanitas Award nominee Babka ... and no less than three other films!
Three Great Things: Zoey Deutch
The talented actress and producer, whose new movie The Threesome opens today, chooses a trio of personal favorites.
2gether forever and frenz 4lyf
Siyou Tan, whose debut feature Amoeba premieres next week at TIFF, on the disappearing Singapore of her teenage years.
A Hotel Room and a Movie – The Magical Discovery of Being Italian
Miki Magasiva, the writer-director of the new heartwarming drama Tinā, on how Cinema Paradiso changed the course of his life and career.
Murder Porn and the American Imaginary: The Rise of the True Crime Industrial Complex
Filmmaker Lily Lady gets incarcerated writer John J. Lennon's take on our unhealthy obsession with The Jinx, My Favorite Murder and more.
On Weapons and Trumpism
Filmmaker Deborah Goodwin explores the parallels between Zach Cregger's new box-office hit and what's happening politically in the U.S.
The Anxiety of Digital Permanence and Independent Filmmaking
Mary Neely on putting herself and her opinions on screen in the new film Or Something, which she co-wrote and co-stars in with Kareem Rahma.
Three Great Things: Sharon Horgan
The brilliant multihyphenate, who is currently starrring in The Twisted Tale of Amanda Knox, shares a trio of absolute essentials.
The Yellowing Wallpaper of the 1990s
Director Megan Griffiths on '90s nostalgia, normalized predatory behavior and her new coming-of-age film, Year of the Fox.
On Nature and Creativity
The award-winning international actress, whose new film Went Up the Hill hits theaters today, on her connection to the wilds.
Music in the Key of Blue: How Making a Film About a Teen With Synesthesia Helped Me Discover My Own Neurodivergence
Writer-director Nicola Rose on the way in which her new film, Magnetosphere, suddenly became very personally resonant for her.











