Film

Jim Hemphill on why he fell for Freeform's addictive new series about the on-screen/off-screen romance between two young movie stars.

Andrew Matthews, a newly politicized filmmaker based in Austin, Texas, explains how his background prepped him for the new resistance movement.

The Canadian provocateur sheds light on Bob Rafelson and Jack Nicholson's less celebrated follow-up to Five Easy Pieces.

The director of Finding Oscar reveals his unique path from Midwestern English graduate to filmmaking partner to Amblin's founders.

The day before his debut directorial feature comes out, Shaw shares a cine-centric comic from his latest book, Cosplayers: Perfect Collection.

The internet's favorite no-budget filmmaker, John Wilson, explains why he was at Sundance this year, despite openly resenting the festival.

In this episode, now a Webby Award honoree, the hip-hop star, a lifelong Pee-wee Herman fan, sits down with his idol and friend.

Lou Pepe speaks out in ardent support of Michał Marczak's gorgeously cinematic doc, a film considered by some to not qualify as non-fiction.

Sean Brosnan shares his vivid experiences making the Iraq War miniseries, and makes a case for HBO putting it back on our screens.

For any and all coming out of hibernation, a bite-sized recap of the very best from the first three months of 2017's Talkhouse Film Podcast episodes.

Michael O'Shea, writer-director of the Cannes hit The Transfiguration, sets the record straight about his long-gestating debut feature.

Ido Fluk, director of The Ticket, looks back on arriving in New York in August 2001, and his experiences in a city suddenly thrown into crisis.