Film

Stephen Winter offers up some unfiltered truth about the horribleness that was 2016, and makes suggestions on how 2017 can be a little less egregious.

Donal Mosher looks back at the documentary portrait he made of his family, and is faced with the question of whether it represents Trump voters.

Nathan Silver, who has cast his mother Cindy in nearly all his films, tries to make sense of their complex and often fraught working relationship.

Screenwriter Luke Davies on how his past as a novelist and poet informed the way he approached telling the heartwarming true story of Saroo Brierley.

Nicolas Boukhrief, director of Made in France, shares the advice given to him by the late auteur when he worked with him in the '80s.

'Tis the season for siblings.

Lou Pepe, the co-director of Lost in La Mancha, on staring, compassion fatigue and his new documentary, The Bad Kids.

The election and his new film, Burn Country, prompt Ian Olds to grapple with how important art is now, and what is its place in the world.

Man on Wire director James Marsh pays tribute to David Bowie by recalling the time they became friendly, and pondering his creative swan song.

Stuart Gordon flashes back to the time he met with the interspecies linguistic researcher to discuss a sequel to Honey, I Shrunk the Kids.

The two multitalented brothers sit down for a conversation about music, movies and much more as Robert releases his first film as a writer-director.

Joe Lynch on Ang Lee's new movie and how 120 fps could be where cinema is headed – if we have the right films to ease us into it.