Zach Clark

To mark the restoration of Multiple Maniacs, filmmaker and longtime Waters fan Clark sits down for a chat with the Pope of Trash himself.

Age 11, Zach Clark loved this macabre tale about trying to destroy "normal" America. More than 20 years on, he discovers he still feels the same way.

On Liberace's birthday, Zach Clark writes about Soderbergh's biopic of the flamboyant entertainer, which is about to leave Amazon Prime.

Zach Clark sings the praises of one of his all-time favorite movies, M83 member Yann Gonzalez's consciously cinematic orgy film.

It's no fun to read a major critic tear down your vision, but it's sometimes a different matter when the writer is a trolling internet commenter...

Zach Clark kicks off his new column on films about to depart your streaming queue with a personal take on the subject.

Zach Clark details why the inexplicably similar rehash of the 2002 cult hit just doesn't cut it.

The holidays are a perfect setting for a horror film, but is this piece of seasonal cinema a turkey or a cracker?

It turns out watching Guy Maddin's latest retro melodrama is even more awesomely impactful if you're in a fevered state. (And oh, the dreams!)

A Dolan hater does a 180 on the French-Canadian wunderkind after seeing his audacious psychosexual thriller.

The sequel to Soderbergh's male stripper saga is all fireworks and dazzle. And that's nothing but a good thing.

This French crime procedural moves at a slower pace than super-charged modern action movies, but still fetishizes its setting, violence, and drug use.