sundance
Revisited: The Day Kobe Bryant Died
Filmmaker Matt Yoka looks back on when his first movie, Whirlybird, premiered at Sundance, and the passing of an L.A. icon that same day.
Parenthood, Panic Attacks and Premiering at Sundance
I Was a Simple Man writer-director Christopher Makoto Yogi looks back on the past year, a time of huge change and transition for him.
The Day Kobe Bryant Died
Filmmaker Matt Yoka looks back on when his first movie, Whirlybird, premiered at Sundance, and the passing of an L.A. icon that same day.
A Man Doing the Most Basic Thing, Breathing
Filmmaker and artist David Shapiro shares journal entries from the making of his latest project, Untitled Pizza Movie, which is out this week.
The Long Road to Strawberry Mansion
Kentucker Audley on the journey he and his co-director Albert Birney took in making their new Sundance film, Strawberry Mansion.
Collaging Cryptozoo
While finishing his new Sundance feature during COVID-19, animator Dash Shaw relieved his stress through a therapeutic creative outlet.
The Myth of Sundance
Earlier this year, emerging filmmaker Shahnaz Mahmud made her first ever trip to the iconic film festival to see what all the fuss was about.
WeTalk — From Vast to Intimate: The Balance of a Good Documentary
In the final installment from Sundance, WeTalk host Ondi Timoner sparks a conversation with two innovative documentarians.
WeTalk — Shooting the Mafia: Truth Through the Lens
In the third episode from Sundance, Ondi Timoner is joined by the team behind the new documentary Shooting the Mafia.
WeTalk — Before You Know It: Producing Scripted Films
Ondi Timoner is joined by the creative forces behind Before You Know It to discuss the highs and lows of independent filmmaking.
WeTalk — Exposing the Truth: Documentaries that Dig Below the Surface
Ondi Timoner's WeTalk heads to the Sundance Film Festival for a discussion on how governments and corporations use and collect our online data.
The Tale of Doing Everything Wrong to Make Something Right
Documentarian Jennifer Fox on the unconventional way she approached her first fiction film, the Gotham- and Spirit Award-nominated The Tale.










