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film essay

Standing Room Only

Drew Denny, director of the new documentary Second Nature, on a transformative decade spent telling a story that truly matters.

April 13, 2026

Between the Takes

Actress and writer Freya Adams, best known for her lead role in Jennifer Phang’s Advantageous, shares a poem on how life and acting intersect.

April 9, 2026

A Crucifixion in Brooklyn, or: Filming the Oldest Special Effect

Director Caroline Golum on filming a solar eclipse for her low-budget historical epic, Revelations of Divine Love, which is in theaters now.

March 26, 2026

Battlestar Fantasy

Matthew Shear’s path to directing his first feature, Fantasy Life, through the lens of his favorite TV show, Battlestar Galactica.

March 25, 2026

Nonna

Petra Volpe, whose new feature Late Shift opens tomorrow, on how her Italian grandmother set her on the path to becoming a filmmaker.

March 19, 2026

A Rare Alignment of Friendship: Notes on Last Ride

Writer-director Cinqué Lee reveals the deeply personal story that inspired his new film, the coming-of-age survival drama Last Ride.

March 17, 2026

I Don’t Know What I’m Doing, Except for When I Do

Amandine Thomas, writer-director of the Sundance 2026 short Albatross, on how her superpower of learning has got her to where she is now.

March 16, 2026

Why I’m Not Suing Corey Feldman for Defamation

Director Marcie Hume on how she responded to her subject's attacks on her new documentary, Corey Feldman Vs. the World.

March 12, 2026

The Art of Hanging Out

Filmmaker Beth Harrington on almost 50 years of friendship with David Greenberger, the subject of her SXSW doc Beyond the Duplex Planet.

March 11, 2026

“It’s Not in My Nature to Be Mysterious”: On the Easy Brilliance of Ocean’s Eleven and Twelve

Alex Thompson on Steven Soderbergh’s twin masterpieces, his joint top choices in Talkhouse’s recent best-of-the-century poll.

March 10, 2026

Don’t Build a New Ship, Improve the Old One

Dolly director Rod Blackhurst on the deeply meaningful process of building an ever-growing team of collaborators around him.

March 6, 2026

What Can a Story Be?

Alison McAlpine, director of the Oscar-nominated documentary short perfectly a strangeness, on pushing the boundaries of narrative.

March 5, 2026