film essay
What We Miss Along the Way
David Usui on the mayor and the gull, telling small-town stories and his new documentary, Been Here Stay Here.
Almost Like Movies – At One Frame a Second
Filmmaker Mark Rappaport on the genesis of his witty, cinephilic photomontages, which are collected together in Book of Dreams.
Extra Lives
Screenwriter Jeremy Slater on his late father, videogames and his new movie, Mortal Kombat II, which hits theaters tomorrow.
From Slashers to Downers
Editor turned writer-director Josh Ethier on his joint love of horror movies and bleak, confrontational European cinema.
Why I Stopped Running Away (and Made a Documentary About It)
Benjamin Wagner on directly addressing his mental health struggles and leaning into vulnerability in his new documentary Friends & Neighbors.
Nothing to Prove and No Deadlines to Meet
G. Anthony Svatek, whose debut feature Humboldt USA plays First Look this weekend, on how collaging has made him a better filmmaker.
Don’t Ask Me for a Release: The Challenge of Depicting Real Lives in Film
Lynne Sachs, who this week will be presented the Pesistence of Vision Award, on making her new film Every Contact Leaves a Trace.
City Wide Beaver
Josh Heaps on the personal journey behind his no-budget giallo homage City Wide Fever, which is out now through Factory 25.
We Blew Up Our High School Car
As Redux Redux hits digital, Kevin McManus on the many filmmaking adventures he and his brother Matthew had with their beloved Saturn Ion.
Standing Room Only
Drew Denny, director of the new documentary Second Nature, on a transformative decade spent telling a story that truly matters.
Between the Takes
Actress and writer Freya Adams, best known for her lead role in Jennifer Phang’s Advantageous, shares a poem on how life and acting intersect.
A Crucifixion in Brooklyn, or: Filming the Oldest Special Effect
Director Caroline Golum on filming a solar eclipse for her low-budget historical epic, Revelations of Divine Love, which is in theaters now.











