film commentary
Richard Shepard (The Matador) Talks Cary Fukunaga’s Beasts of No Nation
Netflix's first original movie, a heartbreaking tale of boy soldiers, is a thing of beauty made about a world of horror.
Actor and Screenwriter Pat Healy Talks Steven Spielberg’s Bridge of Spies
This is, no question, an auteur work, but one where every player in front of and behind the camera distinguishes themselves.
Jim Hemphill (The Trouble with the Truth) Talks Guillermo del Toro’s Crimson Peak
Del Toro's new movie, a gothic chiller which is both personal and commercial, underlines how horror movies ain't what they used to be.
Eugene Kotlyarenko (A Wonderful Cloud) Talks Takashi Miike’s Yakuza Apocalypse
It's best not to get intimidated by the absurdly prolific output of this Japanese director, whose new movie is about gangster vampires.
Michael Mohan (Save the Date) Talks Danny Boyle’s Steve Jobs
An innovative narrative approach to telling the Apple founder's life story ultimately undermines this well-acted biopic.
Allison Anders (Grace of My Heart) Talks Elaine Constantine’s Northern Soul
A photographer turned filmmaker's portrait of two boys' adolescent trials is a joyous, deeply pleasurable music film.
Terence Nance (An Oversimplification of Her Beauty) Talks Roland Emmerich’s Stonewall
A filmmaker writes about Emmerich's much-derided historical drama both before and after watching it.
Zach Clark (White Reindeer) Talks Guy Maddin and Evan Johnson’s The Forbidden Room
It turns out watching Guy Maddin's latest retro melodrama is even more awesomely impactful if you're in a fevered state. (And oh, the dreams!)
Brea Grant (Best Friends Forever) Talks Ridley Scott’s The Martian
It's a sign of how good Scott's new movie is that this story about a guy stuck on the Red Planet feels so close to our own lives.
Riley Stearns (Faults) Talks Ariel Kleiman’s Partisan
A longtime fan of one of the best short filmmakers around dives into his much-anticipated debut feature.
David Lowery (Ain’t Them Bodies Saints) Talks Denis Villeneuve’s Sicario
A procedural set against the backdrop of the war against drugs, Villeneuve's new movie is powerful, unsettling stuff.
Lloyd Kaufman (The Toxic Avenger) Talks Ondi Timoner’s Brand: A Second Coming
This doc portrait of a revolutionary, messianic narcissist takes on added resonance if viewed during and juxtaposed with the Pope's recent U.S. visit.











