film commentary
Alison Bagnall (Funny Bunny) Talks Adam Bhala Lough’s Hot Sugar’s Cold World
A documentary about a music producer with some Willy Wonka magic casts a spell over a filmmaker with experience of supernatural recordings.
Jeff Reichert (Remote Area Medical) Talks Laurent Bécue-Renard’s Of Men and War
The stories of Iraq veterans suffering from PTSD are told in an unadorned documentary style that values character over a fiction-style narrative.
Terence Nance (An Oversimplification of Her Beauty) Talks Gaspar Noé’s Love
Probably the only examination of this film to reference Puff Daddy, Key & Peele, MTV reality shows, Rick Alverson and Michael Bay.
Julia Pott (My First Crush) Talks Steve Martino’s The Peanuts Movie
What will an animator who discovered her creative voice through Charles M. Schulz' cartoon strip think of its new big-screen incarnation?
Scott Cummings (Buffalo Juggalos) Talks Ulrich Seidl’s In the Basement
The director of the most rigorous, uncompromising and disturbing films you have never seen goes underground for his latest work.
Actor/Screenwriter Randy Russell Talks Eugene Kotlyarenko’s A Wonderful Cloud
A film about a post-breakup reunion, with actors (maybe) playing themselves, is funny, bizarre and, underneath, melancholy.
Drew Tobia (See You Next Tuesday) Talks Sebastiàn Silva’s Nasty Baby
What initially appears to be a familiar Brooklyn indie comedy transforms into something much darker, more complex and interesting.
Megan Griffiths (Lucky Them) Talks Jon M. Chu’s Jem and the Holograms
A filmmaker who grew up a fan of the original cartoon series finds a disappointing vision presented in its big-screen remake.
Josephine Decker (Thou Wast Mild and Lovely) Talks Laurie Anderson’s Heart of a Dog
This very personal documentary prompts a very personal response, as an actress and filmmaker recalls the life (and death) of her family's dog.
Alix Lambert (The Mark of Cain) Talks Adam Salky’s I Smile Back
Sarah Silverman is as unflinching and committed in her performance as a troubled suburban mother as she is in her standup comedy.
John Magary (The Mend) Talks Hou Hsiao-hsien’s The Assassin
Hou's latest film prompts a young director to recall his first exhilirating exposure to the work of the Taiwanese auteur.
Patrick Brice (The Overnight) Talks Colin Hanks’ All Things Must Pass
For a former employee of the beloved music store chain, this documentary on Tower Records brings back memories.











