editing
The Responsibility (and Fear) of Telling the Extraordinary Life of Anton Yelchin
Garret Price on how he transitioned from editor to director to work with the Yelchin family on the intimate documentary portrait Love, Antosha.
With Steady Hands
Alexandria Bombach on the emotional toll of making On Her Shoulders, her portrait of Nobel Peace Prize-winning Yazidi activist Nadia Murad.
The Other Films of Our Lives
Amy Scott talks accidentally getting stoned in Italy, Roger Ebert, La Dolce Vita, Trump, editing, and her debut feature, Hal.
What I Learned “Co-Directing” Ultra Warrior for Roger Corman
The director of Crash Pad goes back to his early days as an editor to reveal how "recycling" footage brought out his true creativity.
Negative Spaces: What I Left Out of The Confession Tapes, and Why
Kelly Loudenberg, the creator of Netflix's compelling new documentary series, writes about the moments she had to leave on the cutting room floor.
Lance Edmands (Bluebird) Talks Nicolas Roeg’s Don’t Look Now
The editor turned director breaks down the brilliantly constructed opening sequence of this classic '70s psychological horror.





