Directing
Making Movies, Making Babies (and the Monster Beside Me)
Susanna Nicchiarelli is about to release her new film Nico, 1988, and about to have her second child. She has a lot of thoughts about all this.
Voyeurism and Half-Lit Streets: Bette Gordon on Variety
Bette Gordon takes us back to Downtown NYC in the early 1980s and the roots of her classic 1983 directorial debut feature.
Why a Little Black Girl Wanted to Make a Feature Film
Leslie Harris on the unique journey she took to making her debut feature, Just Another Girl on the I.R.T., and beyond.
Reinaldo Marcus Green (Monsters and Men) Talks with Boots Riley (Sorry to Bother You) for the Talkhouse Podcast
Two of the hottest new directors of 2018 sit down at the Sundance Film Festival to discuss their contrasting paths to success.
How I Became an Accidental Filmmaker
The director of the new film Love, Cecil on stumbling into cinema, and how she somehow ends up looking like all of her documentary subjects.
We’re Post-Homophobia, Right? Wrong.
Andrew Fleming details the rejection he has faced with his new film, the gay romantic comedy Ideal Home, starring Steve Coogan and Paul Rudd.
You Can Never Go Home Again
Writer-director Mouly Surya on how she struggled to find her identity as an Indonesian filmmaker after years spent studying abroad.
Revisiting Schlock (and My Adoration of John Landis)
Lifelong Landis devotee Jim Hemphill revisits his little-seen first film, reminding him just what he loves about the veteran director’s work.
From My Childhood of Formidable Women to The Year of Spectacular Men
Lea Thompson traces the roots of her artistic identity from the relationships with her mother and dance teacher through to her directorial debut.
The Last Detail, or How I Had Fun with Fake Brands and Easter Eggs on My New Movie
Drew Pearce pulls back the curtain on the exhaustive approach he took to world-building for his star-studded directorial debut, Hotel Artemis.
Griffin Dunne Talks with Simon Baker (Breath) for the Talkhouse Podcast
Australian actor turned writer-director Baker gets grilled by another thesp now behind the camera as his new movie Breath hits theaters.
Why I Make Extreme Survival Movies
Baltasar Kormákur on his Icelandic roots and pushing himself to the limits for films like Everest and his latest, Adrift.











