Directing
Reinaldo Marcus Green (Monsters and Men) Talks with Boots Riley (Sorry to Bother You) for the Talkhouse Podcast
Two of the hottest new directors of 2018 sit down at the Sundance Film Festival to discuss their contrasting paths to success.
How I Became an Accidental Filmmaker
The director of the new film Love, Cecil on stumbling into cinema, and how she somehow ends up looking like all of her documentary subjects.
We’re Post-Homophobia, Right? Wrong.
Andrew Fleming details the rejection he has faced with his new film, the gay romantic comedy Ideal Home, starring Steve Coogan and Paul Rudd.
You Can Never Go Home Again
Writer-director Mouly Surya on how she struggled to find her identity as an Indonesian filmmaker after years spent studying abroad.
Revisiting Schlock (and My Adoration of John Landis)
Lifelong Landis devotee Jim Hemphill revisits his little-seen first film, reminding him just what he loves about the veteran director’s work.
From My Childhood of Formidable Women to The Year of Spectacular Men
Lea Thompson traces the roots of her artistic identity from the relationships with her mother and dance teacher through to her directorial debut.
The Last Detail, or How I Had Fun with Fake Brands and Easter Eggs on My New Movie
Drew Pearce pulls back the curtain on the exhaustive approach he took to world-building for his star-studded directorial debut, Hotel Artemis.
Griffin Dunne Talks with Simon Baker (Breath) for the Talkhouse Podcast
Australian actor turned writer-director Baker gets grilled by another thesp now behind the camera as his new movie Breath hits theaters.
Why I Make Extreme Survival Movies
Baltasar Kormákur on his Icelandic roots and pushing himself to the limits for films like Everest and his latest, Adrift.
Finding My Moments
The director of The Honor List on the particular way she establishes a deeply personal connection to the work she's making.
From Girlfriends to Girls and Beyond
Claudia Weill looks back on the path her career took, starting with her seminal 1978 feature debut.
Blurring Fiction and Reality
Dominic Savage, writer-director of the newly released The Escape, on the unusual and challenging way he approaches making movies.











