Directing

Paul Taylor premieres his latest short film and explains how parenthood allowed him to rediscover a sense of simplicity and play in his work.

Swallowed director Carter Smith on how his unusual career path (kind of) allowed him to make a second debut film.

For director Justin Zuckerman, making new his movie Yelling Fire in an Empty Theater was not about advancing his career.

Zia Mohajerjasbi’s stream-of-consciousness take on one of the more unexpected personal meanings of the title of his new film, Know Your Place.

Writer-director-actor Celyn Jones looks back on the filming of a pivotal scene in his debut feature, The Almond and the Seahorse.

Director Matt Stawski charts his journey from punk rock roots to directing the new kids musical Blue's Big City Adventure.

Director Mark Pellington shares the backstory of creating the Director’s Edit of his debut feature, Going All the Way.

The writer-director of You Resemble Me, the moving real-life drama out now in theaters, in conversation with Ramy's creator-star.

Filmmaker Ian Clark ponders the personal and creative repercussions of being in a major car accident in 2019.

Tom George, director of the new star-studded comedy mystery See How They Run, on the only true way to get good at filmmaking.

Susanna Nicchiarelli, whose new feature Chiara debuts today in Venice, on bringing films and new life into the world at the same time.

Filmmaker Juan Pablo González on the unconventional and organic way he made his debut feature, Dos estaciones, in his hometown.