Directing
Jenny Slate and Gillian Robespierre Talk with Nicole Holofcener for the Talkhouse Podcast
The writer-director and star of Landline talk sex scenes, motherhood, gender and comedy with one of their favorite filmmakers.
How I Found Abundance Moving from Indie Features to Episodic TV
Maggie Greenwald on how moving from the big screen to the small has allowed her to experience directing in an exciting new way.
Rian Johnson (Star Wars: The Last Jedi) Talks with Ana Lily Amirpour (The Bad Batch) for the Talkhouse Podcast
The two writer-directors, big fans of one another, talk Amirpour's new movie, cinematic boners, Twitter, Star Wars, and more.
Paul Scheer Talks with Ken Marino (How to Be a Latin Lover) for the Talkhouse Podcast
Marino sits down with his old friend and former collaborator Scheer to discuss his new movie, doing it all, bloopers — and his love of dance!
John McNaughton Talks Reteaming with Michael Rooker 30 Years After Henry: Portrait of a Serial Killer
About to embark on an adaptation of Flannery O'Connor's "A Good Man is Hard to Find," the director ponders how true that is of Rooker.
A Crash Course on the Apocalyptic and Secretly Subversive World of Robert Aldrich
Screenwriter Matthew Wilder (Dog Eat Dog) delves beyond Baby Jane, into the wildly diverse filmography of a true Hollywood original.
How Being Called a “Female Filmmaker” Helped Me Understand the Future of Cinema
The director of the forthcoming Below Her Mouth on how the press' recent focus on her gender made her newly consider the female gaze.
Me and My Mentors: David Fincher, George Kuchar, Curtis Harrington and Tony Conrad
The director of the new documentary Tony Conrad: Completely in the Present recalls the major figures who helped shape his career.
Why I’m Debunking the Myth of My Own Success
Michael O'Shea, writer-director of the Cannes hit The Transfiguration, sets the record straight about his long-gestating debut feature.
How I Harnessed My Silicon Valley Startup Skills to Make a Successful First Feature
Director Rucha Humnabadkar explains how her dayjob as a UX designer shaped the way she made her debut feature, For Here or To Go?.
Kirsten Johnson (Cameraperson) Talks with Agnès Varda for The Talkhouse Film Podcast
The two brilliant, colorful and irrepressible filmmakers sit down in a New York City gallery to discuss memory, time and artistic boundaries.
A Different Kind of First-Day Nerves
Simon Fitzmaurice, who was diagnosed with ALS in 2008, recalls the start of production on his debut feature, My Name is Emily.











