Podcast

Nate, Dave, Demone, and Del (!) talk to A&R Dante Ross about his new memoir Son Of The City

Snaxshot, the curatorial and slightly mercurial grocery newsletter and community, has grown into an industry force, read by consumer packaged goods executives and members of food media on a near-religious level. Andrea Hernández is the muscle behind this influential publication, and we were lucky to have her back in the studio to talk about what is interesting to her in the grocery store, or, shall we say, the “millennial bodega.” We also talk about nonalcoholic beers, Threads, our happy birthday Grimace hangover, grocercore, and how “Walmart is the new pantry Kith.”  More From Snaxshot:Snack Boys, Snack Daddies, & Snaxshot with Andrea Hernández [YT]Edible Cogitations: Weekly Wrap-Up [Snaxshot]Mars to Buy Healthy Food Maker Kevin’s Natural Foods [Reuters]This Is TASTE 217: Snaxshot [TASTE] FOLLOW, FOLLOW, FOLLOW:instagram.com/thesnaxshotinstagram.com/mattrodbardinstagram.com/taste

For the 20th anniversary of The Postal Service record, GIVE UP, we take a detailed look at how it was made. After Jimmy Tamborello was looking for vocalists to collaborate with for a Dntel album he was working on, he connected with Ben Gibbard of Death Cab for Cutie. Gibbard agreed to provide vocals for a track that became, “(This Is) The Dream of Evan and Chan.” The two of them worked so well together that they decided to work on more material and form a new project. Tamborello’s friend, Tony Kiewel at Sub Pop heard about their collaboration and suggested they would be interested in releasing a full album. Tamborello got to work creating instrumentals at his home in Los Angeles and would mail rough mixes of the tracks on CD-Rs to Gibbard in Seattle. Gibbard would then come up with the melodies and lyrics, recording his vocals and other instruments to send back to Tamborello. Over the course of the year, they would keep collaborating through the mail, enlisting Jenny Lewis and Jen Wood to provide additional vocals. After the ten tracks were nearly complete, they met in Los Angeles to finish mixing the album. GIVE UP was eventually released in 2003. In this episode, Gibbard describes how these Postal Service tracks that Tamborello would send were nice breaks in his writing schedule for Death Cab for Cutie, who were in the middle of writing TRANSATLANTICISM. Because their collaboration started so spontaneously, he describes how this approach opened up his writing and pushed him into new territory. Tamborello describes how he initially conceived of a more experimental project but quickly changed directions as the tracks became more pop oriented and Gibbard’s melodies were so infectious. With the limited technology of the early 2000s, he describes how the album was made almost entirely on a Kurzweil K2000 synthesizer and how he would manipulate sounds and sample classical records for added effect. As the concept of remote collaboration has taken off in recent years, GIVE UP remains a fascinating document of its time. From the unlikely marriage of indie rock and electronic music in the early 2000s to the slow process of mixing by mail to the spontaneous idea of asking Jenny Lewis to sing on the album, to the key influences of Bjork, Liz Phair, Conor Oberst and Stephin Merritt to the mysterious effortlessness of the whole project, we’ll hear the stories of how the record came together.

As the cofounder of online restaurant watchdog and chronicler Eater, as well as reservations booker Resy, Ben Leventhal has been at the center of all things dining out for nearly 20 years. On this episode we catch up with Ben about his latest company, Blackbird, a restaurant loyalty program that is rethinking the way hospitality and online culture converge. We talk about the founding of Blackbird and how restaurants are rapidly changing the way they make money through CPG and brand extension. We also discuss the early days of Eater, the future of controversial Los Angeles restaurant Horses, and the biggest story that nobody is covering. It’s great catching up with Ben! Also on the show we catch up with Food & Wine’s super talented Senior Drinks Editor Oset Babür-Winter. We talk about summer drinking, New York City restaurants, and what is exciting her in the world of spirits, wine, and cocktails.  More From Ben Leventhal and Oset Babür-Winter:He Started Resy: Now He Wants You to Take Restaurant NFTs Seriously [EaterThis Is TASTE 64: Ben Leventhal [TASTE]Why Is Everyone Drinking Chartreuse This Summer? [F&W]We're Calling It Now, the Espresso Tonic Is the Drink of the Summer [F&W] FOLLOW, FOLLOW, FOLLOW:instagram.com/benleventhalinstagram.com/baburosetinstagram.com/mattrodbardinstagram.com/taste

Chitra Agrawal is an author and entrepreneur behind the beloved Brooklyn Delhi, a packaged foods brand that is based partially around achaar, a beloved and staple South Asian condiment. We talk about the founding of the company and our collective love of Indian spices and flavors, as well as a copycat product from one of the country’s most prominent grocery chains. We also discuss her cookbook, Vibrant India, in which Chitra takes readers on a journey to her mother’s hometown of Bangalore and back to Brooklyn, where she adapts her family’s South Indian recipes for home cooks. Also on the show, we catch up with Aadit Patel, founder of an amazing new company called Confusion Snacks. The name of the game now is black truffle masala, chili chaat, and chaat mint popcorn, and it’s one of our favorite new brands to jump into the field. We talk with Aadit about the challenges of launching a food company today, and we also find out how he works closely with his mother to exact the recipe for his wonderful snacks. MORE FROM CHITRA AGRAWAL AND AADIT PATEL:Chitra Agrawal on the Changing Grocery Landscape for Startups [Modern Retail]Can Brooklyn Delhi Take on Trader Joe's? [The Quint]Are You Ready for Hot Snack Summer? [TikTok] FOLLOW, FOLLOW, FOLLOW:instagram.com/brooklyndelhiinstagram.com/confusionsnacksinstagram.com/mattrodbardinstagram.com/taste

In today’s conversation, Madison McFerrin joins Carmel Holt to discuss her full length debut, I Hope You Can Forgive Me, overcoming her own imposter syndrome, and taking the production reins, resulting in her most fully realized album to date, I Hope You Can Forgive Me.