In today’s conversation, Madison McFerrin joins Carmel Holt to discuss her full length debut, I Hope You Can Forgive Me, overcoming her own imposter syndrome, and taking the production reins, resulting in her most fully realized album to date, I Hope You Can Forgive Me.
Imposter syndrome is super common amongst womxn and nonbinary artists, especially when it comes to taking the reins in the recording studio. What we will learn today is that even when you grow up knowing that music is in your DNA and is a possible career path for you and/or your innate talent and passion gets you into one of the best music schools in the country, that doesn’t necessarily spare you from struggles with self confidence, or escaping the challenges of navigating music’s male dominated spaces and industry. Madison McFerrin was born in 1992, the daughter of Grammy-winning vocalist and songwriter Bobby McFerrin, and granddaughter of Robert McFerrin, Sr., the first black man to sing at the Metropolitan Opera. A graduate of Berklee College of Music, this singer, songwriter and producer first put out a pair of independently released, a-cappella-based EP’s called Finding Foundations Vol. I in 2016, Vol II in 2018, and then began to flesh out her sound on the 2019 EP You + I, a collaboration with her brother, musician/producer Taylor McFerrin. In today’s conversation, we’ll hear how Madison overcame her own imposter syndrome, took the production reins, and made her most fully realized album to date, I Hope You Can Forgive Me.
