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Talkhouse

Your favorite musicians, filmmakers, and other creative minds one-on-one. No moderator, no script, no typical questions. The Talkhouse Podcast offers unique insights into creative work from all genres and generations. <a href="https://pod.link/Talkhouse" target="_blank" rel="noopener">Subscribe now</a>, and explore more illuminating shows on the <a href="https://talkhouse.com/category/podcast" target="_blank" rel="noopener">Talkhouse Podcast Network.</a>

Talkhouse Podcast

mxmtoon is a singer-songwriter based in California. Her EP dawn is out April 2020 via her own label.
(Photo Credit: April Blum)

mxmtoon

Podcast

Carly Rae Jepsen Talks with mxmtoon on the Talkhouse Podcast

Dominic Angelella is a songwriter and musician born and raised in Baltimore, Maryland. He currently plays bass for Lucy Dacus, has toured with Natalie Prass and MewithoutYou, and has played on records by Kendrick Lamar, Juicy J, Mac Miller, Hop Along, and more. In addition to his resumé as a touring and recording musician he releases records under his own name, most recently God Loves A Scammer.
(Photo Credit: Josh Pelta-Heller)

Dominic Angelella

Music

Frances Quinlan and Dominic Angelella Talk Freshman Year, 15 Years Later

Bryan Devendorf, founding member and drummer for The National, recently released a self-titled album under the name Royal Green. Royal Green was co-produced with Nate Martinez and recorded in Brooklyn, NY. The eight-song album features original songs as well as some surprising covers. It includes the single “Breaking The River,” a breezy jam that features additional guitar from The National’s Aaron Dessner, and some groovy bass playing from Bob Weir Campfire Band bandmate, Josh Kaufman.

Bryan Devendorf

Three Great Things: Bryan Devendorf

Los Angeles based art pop artist Deradoorian just released her cosmic and hypnotic second album on September 18, Find The Sun. Find The Sun is not the record Angel Deradoorian originally sat down to make. It’s a waypoint on a spiritual journey of acceptance, the result of years of lifting veils that obscured her innermost self, and coming to the realization that in order to find peace, she might need to cede a bit of control. The result is something that could only be found by the physical act of its construction.

Angel Deradoorian

The Way Forward: Angel Deradoorian

Paradise Lost is the latest release from Brooklyn-based, Ohio-hailing 30-year-old electronic pop musician John Jagos. A lush journey through oceanic textures and gorgeous, tactile synths, Paradise Lost charts Jagos’ perspective of optimistic existentialism, his lovely cloud of a singing voice hovering over the proceedings and radiating emotional honesty.
(Photo Credit: Alec Castillo)

Brothertiger

Three Great Things: Brothertiger

Talkhouse Weekend Playlist: Medicinal Music from Mint Field

Floating Room is the musical project of Portland based multidisciplinary Uchinanchu American artist and DIY veteran Maya Stoner. Their newest EP, Tired and True, was written by Stoner and recorded in the summer of 2019 amidst a backdrop of intense transition: She graduated art school, stepped down as president of Portland indie label Good Cheer Records, and wrested creative control of her band from an ex-boyfriend and former guitarist who liked My Bloody Valentine a little too much.
Lead single “Held Open Door” is a meditation on dimming innocence set to jagged guitar pyrotechnics a la Deerhunter and Television. “Freak Show” is a self-professed “pop hit” concerning Stoner’s perceived pariah-dom within Portland’s blindingly white, furtively racist punk scene.
Tired and True is being released independently by Stoner digitally and on vinyl. It features contributions from Jon Scheid (Duck. Little Brother, Duck!, Dreamdecay), Aaron Liu (Two Moons), Jared Ridabock (Anne, Hemingway), and Mo Troper.

Floating Room

Introducing: Floating Room’s “Freakshow”

Teenanger — the Toronto DIY scene innovators, who count among their members the founders and operators of the increasingly influential record label Telephone Explosion — released their sprawling, diverse and pseudo-self-titled album Teenager in 2017.
Their latest album, Good Time, is Teenanger boiled down to its very essence. A lean and muscular eight-song album that is the sound of a band who simultaneously has everything and nothing to prove. It’s what happens when seasoned songwriters flex their chops in an environment that fosters boundless creativity.  It is also Teenanger’s most fun album. Choruses soar to previously unattained heights, descending to a rhythmically fertile ground to pull earworms that will stick inside listeners’ heads for days. If its songs were citizens, they would reside in a diplomatically neutral city-state, melting pots of art rock, pop, dub, post-punk and new wave. 
The music of Good Time certainly elicits pleasure, but lyrically things are more weighty. The band does not shy away from its commentary on contemporary issues. There are calls to reject societal norms, ruminations on humanity’s obsession with technology and warnings about our impact on the environment. Teenanger never gets too earnest, delivering everything with an irreverence that has been there since day one.
Mixed by Sandro Perri, Good Time is out now via Telephone Explosion.

Teenanger

Talkin’ Tim Hortons with Teenanger and Holy Fuck

Mac DeMarco Talks with Dayglow on the Talkhouse Podcast

Lunchbox’s Tim Brown and Donna McKean have been making records in their Oakland, California basement for two decades, inspired by 1960s/70s AM-radio pop and TV show theme music, punk, C86, and mod à la The Creation and The Jam. From the sonically-inventive indiepop of The Magic of Sound (1999) to the dub-influenced psychedelia of Evolver (2001) to the critically-acclaimed bubblegum of Lunchbox Loves You (2013), the couple have established a sound all their own. Their new album for Slumberland, After School Special, finds them at the height of their powers of songcraft and performance.

Lunchbox

Three Great Things: Lunchbox

With his wonderful new album Stardust, Luka Kuplowsky makes a refreshing argument for the relevance of acoustic music as a place to hold thought; an open space to place impeccably chosen words, ideas and images. A young songwriter with a calm, conversational delivery and an effortless, un-showy grasp of poetry; Kuplowsky humbly picks up the same threads of inquiry that did Cohen, asking the big questions about love, meaning and consciousness. Musically, Stardust triangulates between Hejira and Late for the Sky, finding connections between the purity of simple melody and the tangled modulations of jazz. Luka Kuplowsky makes a music of contemplation, a music alive to the everyday possibilities of epiphany and revelation, an unhurried music that moves with the gentle and curving rhythms of thought.
(Photo Credit: Melissa Richards)

Luka Kuplowsky

Introducing: Luka Kuplowsky’s “Stardust (Reprise)”

The seeds of Girl Friday were first planted when guitarist Vera Ellen walked into a friend&#8217;s house at UCLA and saw Libby Hsieh playing bass on the couch. Drawn by her unique playing style, Ellen introduced herself, and the two musicians immediately bonded. After a year of playing together, they decided to grow their collaboration into a full band. Drummer Virginia Pettis and guitarist Sierra Scott caught wind of the project from friends of friends, and quickly jumped on board. The fledgling group&#8217;s chemistry was undeniable; writing and playing together felt generative and thrilling.
Burning deep in Girl Friday&#8217;s music is an unquenchable will to survive. The band doesn&#8217;t blunt the impact of the themes they work through in their ferocious, knotty rock songs, but they don&#8217;t let the more harrowing aspects of being alive and young in the 21st century daunt them, either. Taking full advantage of the dystopian shades of post-punk and noise rock palettes on their arresting debut LP, Androgynous Mary, Girl Friday nevertheless suffuse their music with abundant optimism. The world is a hellscape, but the four of them are in it together.
(Photo Credit: Al Kalyk)