Film
How Eddie Izzard’s Dress to Kill Gave Me Hope as a Gender-Nonconforming Comic
Kelli Dunham, whose new comedy album Not the Gym Teacher is out now, on the comedy special that changed her life.
Facts Versus Truths: The Tensions of Telling a True Story
Writer-director Katharine O'Brien, whose debut feature Lost Transmissions opens today, on the challenges of making a film based on real life.
Three Great Things: Liz Garbus
The Oscar-nominated director of Lost Girls offers up three things that anchor her in a stressful and increasingly uncertain world.
Bipolar and In Love
Writer-director-star Aaron Fisher on how art imitates life in his debut feature, Inside the Rain.
Am I The Only One Who Loves … Grease 2?
Anna Roisman has a deep personal connection to the criminally overlooked sequel, despite it's slightly questionable sexual politics ...
The Uplifting Grace of Horror
Swallow’s writer-director Carlo Mirabella-Davis charts his journey from perpetually terrified child to maker of psychological horror movies.
Kelly Reichardt Talks with Olivier Assayas for the Talkhouse Podcast
Two of the great auteurs of world cinema sit down in conversation for the very first time.
How To Escape the Endings Trap (Maybe)
Twice Oscar-nominated screenwriter William Nicholson ponders the endings, Watchmen and his latest film as director, Hope Gap.
My Eating Disorder Story
While directing his debut feature, Saint Frances, Alex Thompson started to look differently at how he ate and exercised.
A Different Kind of Black Cinema
Premature’s Rashaad Ernesto Green on why telling a young black love story was a radical act.
Get Out of the Fuckin’ Office and See the World
Writer-director Andrew Heckler treats filmmaking like an investigative journalist, starting with his new movie Burden.
Maria Bamford Talks with Chris Gethard for the Talkhouse Podcast
The minds behind What's Your Ailment? and Career Suicide sit down for a chat about mental health, comedy and quitting showbiz.












