Film
The Power of Invisibility, or How to Play the Long Game as a Documentary Filmmaker
Oren Jacoby on a vital lesson taught to him by his mentor Ricky Leacock, and how it impacted his latest film, Shadowman.
Video: The Royal Tenenbaums with Pop Hits of the Day
Talkhouse Film's very own Kentucker Audley swaps out vintage cuts for a little Staind and Creed as he reimagines Wes Anderson's 2001 magnum opus.
The Pervert/Genius Problem
Megan Griffiths on what to do with the art created by sexual predators.
The Benefits of “Feminist Filmmaking”
The writer-director of The Light of the Moon explains how a female-led cinematic model can reap incredible rewards.
Remembering Blake Heron: Death Imitates Art
The late actor's friend and collaborator on the forthcoming A Thousand Junkies looks back on their personal and creative journey together.
Remembering Blake Heron: Beautiful and Angry and Sad and Funny and Wild
TJ Bowen, who co-wrote and co-starred in Heron's last movie, A Thousand Junkies, shares stories of their time together.
A Letter to My 14-Year-Old Self
Lauren Wolkstein, director of the forthcoming The Strange Ones, sends some words of advice and comfort back through time.
My Magical Introduction to the World of “Bronies”
The longtime director of the My Little Pony TV shows and movies writes of his first time at a fan convention celebrating the franchise.
Sam Esmail (Mr. Robot) Talks with Mark Frost (Twin Peaks) for the Talkhouse Podcast
The men behind two of the most revolutionary and important TV shows of the present moment sit down for a conversation.
Why a Psychology Background Comes in Handy as a Documentary Filmmaker
Barbara Kopple on how she approached telling the extraordinary story in her latest documentary, A Murder in Mansfield.
Javier Muñoz (Hamilton) Talks with Stephanie Beatriz (The Light of the Moon) for the Talkhouse Podcast
Broadway's Hamilton and Brooklyn Nine-Nine's Rosa talk Twitter, theatre and Harvey Weinstein, and catch up on each other's love lives.
Why Women Need to Tell Rape Stories
Director Natalia Leite scrutinizes the rape-revenge genre, and questions why these films are always made by men …











