Wes Anderson is good at picking weird old songs for his movies but not great at using the top hits of the day to express his vision. For his 2001 masterpiece, The Royal Tenenbaums, he chose to include songs from obscure bands like Nico and the Clash. But wouldn’t it have been much better to use music from the likes of Goo Goo Dolls and Collective Soul? After all, they were some of the most popular bands of the time. Well, that’s what I’m out to prove with this video essay. I’ve already shown without a shadow of a doubt this is true for Wes Anderson’s previous movie, Rushmore. Closing the film with "Ironic" by Alanis Morissette packs way more of a punch than "Oh La La" by the Faces. And the same is true with The Royal Tenenbaums. Just imagine how much of an audience it could have attracted if it had appealed to the fanbases of Staind and Creed, just to name a few. I won’t keep you waiting any longer, please enjoy my new mashup video set to the radio soundtrack of 2001. What a great time it was for music, not dissimilar in quality to the pop classics of today.
Video: The Royal Tenenbaums with Pop Hits of the Day
Talkhouse Film's very own Kentucker Audley swaps out vintage cuts for a little Staind and Creed as he reimagines Wes Anderson's 2001 magnum opus.

Stay in touch
Sign up for our free newsletter
Related Stories
Three Great Things: Kevin Macdonald
The Oscar-winning director, whose new film The Runner is now streaming, on his love of Lonesome Dove, Los Angeles and Leonard Cohen.
WHAT I WATCHED: You’ve Always Been a Napa Boy
Nick Corirossi and Armen Weitzman share the movies and references that inspired their feature film.
Faith and Flesh on Film
Emily Bennett traces the deep roots of her newly released horror movie Blood Shine, which she co-wrote, co-directed and stars in.
Three Great Things: James Ashcroft
The director of the new dark thriller The Whisper Man, which is now on Netflix, opens up about books, fashion and parenthood.
Ember Knight and Tristan Wheeler Talk About Being Evil
The filmmakers catch up about world building, shoestring budgets, and the Ember Knight Show.
Life Won’t Look Anything Like You Thought It Would
Writer-director Sophia Silver, whose debut feature Over/Under is out now, on filmmaking, motherhood and embracing unpredictability.





