Film
WeTalk — Giving Voice to the Disempowered
Ondi Timoner leads a conversation on how VR and film can be used to support and empower immigrant communities.
I Finally Made a “Normal” Documentary. Here Is What I Learned.
Penny Lane, the director of Hail Satan?, on the 60/40 rule and her delightfully bumbling path to mainstream success.
Matt Braunger Loves Game of Thrones, But Not As Much As You Do
The comedian kicks off his weekly recaps of GOT Season 8.
Horrific and Spectacular: On Claire Denis’ High Life
Donnybrook writer-director Tim Sutton shares his feelings about the awe-inspiring and challenging new film by the French auteur.
The Words of Pain
Eva Husson, writer-director of the new film Girls of the Sun, shares her memories of the recent passing of her father, Jacques.
Alone in the Wilderness
Director Emma Tammi delves into the theme of isolation at the heart of her new film, The Wind, and her documentary about the 2016 Election.
How First Reformed’s Success Actually Points to a Dark Future for Independent Film
Her Smell’s writer-director breaks down the stark reality that film distribution today is an inequitable system that excludes almost everyone.
How to Talk About Something People Never Actually Talk About
Columbine survivor and doc director Laura Farber on what she learned making We Are Columbine, and telling a story that needed to be told.
Harlem Blues
Adam Gussow, one the title characters of Satan & Adam, looks back on the remarkable period of his life the documentary captures.
Harmony Korine (The Beach Bum) Talks with Caveh Zahedi for the Talkhouse Podcast
To celebrate the release of his new film, Korine sits down with a fellow cinematic iconoclast he used to call up at 3 a.m. It’s a trip!
Bruce LaBruce’s Academy of the Underrated: Ryan’s Daughter
Talkhouse's resident film historian casts an eye over David Lean's unfairly maligned penultimate feature.
Back to the Crossroads
Screenwriter Fusco on the blues-tinged journey that took him from his debut film to his latest, The Highwaymen — and to making his first album.











