Film
How the World Became Wellesian
Mark Cousins, director of the new doc The Eyes of Orson Welles, on how our current age has caught up to a genius ahead of his time.
Timothy Simons Talks with Brian Huskey for the Talkhouse Podcast
Can these two Veep castmates have a chat without them a) getting very silly and b) talking politics, even though they said they wouldn't?
Second Screen: The Perfectionists is Everything Pretty Little Liars Fans Could Hope For
Filmmaker and die-hard PLL fan Jim Hemphill gives the skinny on the pilot of one of the most anticipated new shows of the season.
Failing Upward
Writer-director Clay Liford examines how he's set himself up for failure in the past and the positive actions he's taking to break that cycle.
Cadaver-Like Radiance: The Spiritual Kinship of Andy Warhol Films and Ghost Adventures
Two Plains and a Fancy directors Lev Kalman and Whitney Horn on their love for these two kinds of eerie viewing experiences.
WeTalk — Before You Know It: Producing Scripted Films
Ondi Timoner is joined by the creative forces behind Before You Know It to discuss the highs and lows of independent filmmaking.
Karen Gillan Talks with James Roday for the Talkhouse Podcast
The two multihyphenate actors sit down to discuss Roday's new horror movie, Treehouse, Highland cows, The Rock, crying on screen and more.
Revisiting Luke Perry’s Great Unheralded Performance in Normal Life
Jim Hemphill pays tribute to the beloved actor, who showed his true brilliance as a performer in John McNaughton's overlooked 1996 crime drama.
Celebrating Female Desire on Screen
The writer-director-star of The Poet and the Professor on the personal and cinematic experiences that informed her taboo-busting film.
Processing/Analyzing Russian Doll with My Therapist
Netflix's game-changing new show brought up a lot of emotions for actor-writer-director Prediger, but she knew exactly who to discuss them with.
In Conversation with Matt Braunger and Shane Torres
“No one gives a shit about comedy, in the grand scheme of things.”
Filling in the Blanks
The director of the re-released Beatles film The Hours and Times on how speculative history became the framework he chose to make movies.











