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Javier Muñoz (Hamilton) Talks with Stephanie Beatriz (The Light of the Moon) for the Talkhouse Podcast

Broadway's Hamilton and Brooklyn Nine-Nine's Rosa talk Twitter, theatre and Harvey Weinstein, and catch up on each other's love lives.

Why Women Need to Tell Rape Stories

Director Natalia Leite scrutinizes the rape-revenge genre, and questions why these films are always made by men …

November 8, 2017

Uncovering My Real Self in My Debut Feature

Victoria Negri on the experience of growing up with a much older father, and how it informed her very personal directorial debut, Gold Star.

November 6, 2017

On That Lost Three-Hour Version Superman and the Curious Pleasures of TV Edits

Jim Hemphill shares his fondness for quirky small-screen cuts of big movies, and one of these that's finally been released for the first time.

November 3, 2017

Collaborating with Ghosts (and Werner Herzog)

Erik Nelson explains how his cinematic communing with the dead started with Grizzly Man, and continues with his new film, Gray State.

November 1, 2017

Sober Sunrises, and Other Tales of Making Maya Dardel

What happens when a poet and a novelist start making movies together?

What I Learned “Co-Directing” Ultra Warrior for Roger Corman

The director of Crash Pad goes back to his early days as an editor to reveal how "recycling" footage brought out his true creativity.

October 27, 2017

Negative Spaces: What I Left Out of The Confession Tapes, and Why

Kelly Loudenberg, the creator of Netflix's compelling new documentary series, writes about the moments she had to leave on the cutting room floor.

October 26, 2017

Bruce LaBruce’s Academy of the Underrated: Foxes

LaBruce continues his alternative canon with Adrian Lyne's 1980 teen drama, which remarkably captures Jodie Foster coming of age.

October 24, 2017

Why BPM (Beats Per Minute) is the Film 2017 Needed

Adam Baran is energized by the French drama about AIDS activists, and offers up a list of ways those similarly inspired can get involved.

October 23, 2017

The Time I Thought I Had Died and Was in Hell, and How I Came Back

Writer-director Camille Thoman on a pivotal period of her life that informs her debut feature, Never Here.

October 20, 2017

So It Turns Out Happy Death Day is Pretty Much a Masterpiece

Jim Hemphill is surprised to find the latest Blumhouse joint is legitimately great, and wonders if a golden age of horror is imminent.

October 19, 2017