Film

Two of the funniest comedians around sit down at the Sonos store in NYC for a hilarious and unpredictable conversation.

Donal Mosher breaks down his experiences making – and then screening – a documentary short about Eureka Springs, an LGBT haven in the Bible Belt.

Steve Lippman continues his new column on '70s cinema with a look at two N.Y.C portraits by one of the era's most underappreciated directors.

What happens if you take one of cinema's most recognizable tropes, and then turn it upside down?

Allison Anders, Charlie McDowell, John Krokidas and more pay tribute to the late Oscar-winning director of The Silence of the Lambs.

The director of the forthcoming Below Her Mouth on how the press' recent focus on her gender made her newly consider the female gaze.

The director of the new documentary Tony Conrad: Completely in the Present recalls the major figures who helped shape his career.

Talkhouse Film's senior video essayist Kentucker Audley highlights the pleasures (and faults!) of yet another classic movie

Adam Leon on why additional photography (which he used on his new movie, Tramps) is not a sign a film is in trouble, but exactly the opposite.

The Seattle-based writer-director fights her post-election malaise by watching everything from A Face in the Crowd to Falling Down.

Jim Hemphill on why he fell for Freeform's addictive new series about the on-screen/off-screen romance between two young movie stars.

Andrew Matthews, a newly politicized filmmaker based in Austin, Texas, explains how his background prepped him for the new resistance movement.