television reviews
Shamir Explains Why This Orange is the New Black Death Scene Bothered Him So Much
The singer-songwriter talks race, police violence and dangerous fictions.
Cameron Crowe’s Roadies is Basically a Baby Boomer’s Fantasy
John Colpitts (Oneida, Kid Millions) finds the show to be nostalgic, pandering and disingenuous about its core: anxiety about the boomer’s relevance.
Across the Aisle: The Fosters Shows America As It Actually Is (Not As We Want It To Be)
Hidden away on Freeform (formerly ABC Family), one of the best political shows on TV right now isn’t even (overtly) about politics.
Adam Green on His Very Practical Love Affair with Impractical Jokers
The horror and comedy director puts his heart on his sleeve as he talks about how four new hilarious "television friends" came into his life.
Checking in Late to Bates Motel
Horror director Lucky McKee, who's seen Psycho countless times, finally dives into its small-screen spin-off – and finds something remarkable.
The People v. O.J. Simpson is a Decadent Gumbo of Tabloid Excess and Cultural Commentary
Patrick Brice makes a case for the thrillingly playful (and human) true-crime show from Ryan Murphy and writers Scott Alexander and Larry Karaszewski.
Horace and Pete, or How Louis CK Saved Cinema with a Goddamn Web Series
Stephen Cone celebrates the multihyphenate genius' stealth project, which goes back to basics to create something entirely new and exciting.
Barry Jenkins (Medicine for Melancholy) Talks Steven Soderbergh’s The Knick
An appreciation of the best show on television as Soderbergh's stewardship on it sadly comes to an end.
Screenwriter Ben York Jones (Like Crazy) Talks Sofia Coppola’s A Very Murray Christmas
Someone who would watch Bill Murray read the phone book ends up feeling a little short-changed by his seasonal special.
Jim Strouse (People, Places, Things) Talks Aziz Ansari and Alan Yang’s Master of None
The latest binge-watching sensation is great television exactly because it doesn't conform to the medium's conventions.
Joe Lynch (Everly) Talks Sam Esmail’s Mr. Robot
The breakout summer TV show creates its own inspired visual language, eroding the line between film and TV.
Sophia Takal (Green) and Daniel Schechter (Life of Crime) Talk Vince Gilligan’s Better Call Saul
A fan of Vince Gilligan's new show gets caught up on how this spin-off relates to the dark and wonderful world of Walter White and company.











