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music essay

Chris Leo Has Always Been a Billy Joel Man

The Van Pelt frontman on why he prefers the Piano Man, despite being from Bruce country.

February 27, 2023

Wolf Eyes’ Difficult Messages is a Counter to Boredom

Ben Blackwell (Third Man Records, The Dirtbombs) talks the new record from the legendary noise band.

February 17, 2023

Exploring Jimi Hendrix

Gareth Liddiard (Tropical Fuck Storm) talks a heinous Hendrix cover, and their own rendition of him on Submersive Behaviour.

February 9, 2023

The Downward Spiral: an Exploration of Violent Expressionism

Ryan Lee West (Rival Consoles) reflects on how NIN shaped his understanding of songwriting.

January 11, 2023

George Harrison’s Brainwashed Taught Me To Deal With Death

Morgan Enos (Other Houses) on how the late Beatle’s final album guided him through tragedy with wit and optimism.

December 8, 2022

A.I. Killed The Radio Star

Charlotte Kemp Muhl (UNI and The Urchins) on the future of bot-generated art.

December 1, 2022

Lo Carmen Is the Boss of Her Own World

A reflection on 20 years of doing-it-herself.

November 16, 2022

I Want The Moon — For Free

Ember Knight talks DIY creation.

November 15, 2022

“Eleanor Rigby” Remains A Shocking Work Of Art (And I Don’t Care If You’re Tired Of It)

Morgan Enos on why the newly remixed Revolver cut remains a chilling masterpiece.

November 10, 2022

On Touring and Songwriting with Multiple Sclerosis

Susie Ulrey (Pohgoh) talks accessibility and adapting creatively to chronic illness.

November 9, 2022

20 Years Is A Long Time To Call Yourself Juiceboxxx

John Chiaverina on rapping, writing, and getting written about.

October 26, 2022