music commentary
Geoff Rickly (Thursday, UN) Talks Deafheaven’s Sunbather
Some records are giant mistakes. A revered artist or a promising young band will take a sharp left turn and make an overtly ambitious...
Rachel Trachtenburg (SUPERCUTE!) Talks Katy Perry: Part of Me
"I Kissed a Girl'' is a damn good pop song. What may push it over the edge is that it has the same beat as ''Rock & Roll, Pt. 2.'' You can't help...
Vijay Iyer Talks Boards of Canada’s Tomorrow’s Harvest
Before I was sent Tomorrow’s Harvest, I was first administered a drip of previous Boards of Canada albums, as if without the proper...
Steve Wynn (the Dream Syndicate, Gutterball, the Baseball Project) Talks Primal Scream’s More Light
Most musicians know — well, hopefully, they do — that ecstatic feeling of hearing a record so good, so exciting and inspirational that it...
Kurt Wagner (Lambchop) Talks Sigur Rós’ Kveikur
I hardly ever get high anymore. It must be a sign of old age, as my younger, higher-living friends suggest. But for some reason I thought it might...
James McNew (Dump, Yo La Tengo) Talks Steve Gunn’s Time Off
As tropes go, the "vastly talented psychedelic/folk guitarist making fantastic records" is enjoying one hell of a heady showing these days.
Rick Moody (the Wingdale Community Singers) Talks the Orb and Lee “Scratch” Perry’s More Tales from the Orbservatory
It is our job today to speak to the elusive vocal quality known as flow, and to attempt, as with other elusive musical terms such as swing or feel...
Kip Berman (The Pains of Being Pure at Heart) Talks the Pastels’ Slow Summits
Like Sarah Records, anoraks and the oft-cited but mostly misremembered NME mixtape C86, the Pastels have become shorthand for something...
Mish Way (White Lung) Talks Surfer Blood’s Pythons
The elephant in the room: Surfer Blood leader John Paul Pitts’ 2012 domestic battery charges.
Mickey Melchiondo (Ween) Talks Anvil’s Hope in Hell
Anvil didn’t really come onto my radar until the documentary The Story of Anvil came out in 2008. I remember seeing their name in the...
Janet Weiss (Quasi, Sleater-Kinney, Wild Flag) Talks Sonny and the Sunsets’ Antenna to the Afterworld
For the past 20 years, throughout my continuing course as a rock & roll drummer, my paramount aspiration has been to get through to someone — to...
Sean Nelson (Harvey Danger) Talks Eleanor Friedberger’s Personal Record
Even though it’s kind of lazy and wishful to seize on an opening line to confer an overarching thematic intention on an album, it’s hard not to be...












