music commentary
On BODEGA, and the Imitators and Innovators of Punk
"Borrowing from older genres and mining long-forgotten albums is a birthright of any hard working, smart musician."
Jess Abbott Wants to Taunt You With Her Secrets
It's not easy to slip away unscathed when making music is your form of therapy.
John Maus is a Modern Day Opera Ghost
"I think, in a way, all great recordings are created for the subconscious mind."
Sparkle Hard is Sincere Without Being Gaudy
Chad Peck dissects the many sides of Stephen Malkmus on the latest Jicks record.
The Beautifully Introspective World of Mary Lattimore
Hundreds of Days debunks everything Terra Naomi thought she knew about harp music.
Big Ups Isn’t Answering Your Questions
Two Parts Together is about asking questions, and the band is clever enough not to answer them for us.
Guided by Voices Are Still the Masters of Creepy Cool
Listening to Space Gun is like discovering a classic that you somehow missed out on when it first hit.
On Frankie Cosmos and Friend-Rock
Why would I write about whether Vessel is good or not? For me, it’s like whether a dog is good or not. The dog is of course a good dog.
On Grid of Points, Grouper Draws a Map Through Sound
The album guides listeners through the mental environments their creator inhabits.
Analyzing Girlpool’s Powerplant After Three Large Coffees
A review organized in double-sided moods: fast and laconic, awake and asleep, lonesome and communal.











