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Talkhouse

Shamir is Shamir and remains Shamir through and through, no matter what the universe puts him through. You may know the singularly named artist (think—Madonna or Cher) from his 2015 debut hit record Rachet, beloved by NPR listeners and club kids alike. After quickly rising to underground fame with his Northtown EP in 2014, the DIY pop star made a sonic splash with Rachet’s lead single “On The Regular,” a poppy banger that had extensive commercial usage. But how to follow all that up? Shamir, who came from the dusty dunes of Las Vegas, to Brooklyn’s Silent Barn, to the Philly indie scene (and all over the world in between), wanted to go back to what had inspired him from the beginning. Outsider music, country &amp; punk. Raw and vulnerable tunes, stripped down to their emotional core. 2017’s Revelations explored a new avenue of guitar driven hooky indie rock and was widely critically praised in the US and overseas.
Shamir’s most recent releases, the brilliant Room 7” on Father/Daughter, and his self-released limited edition album, Resolution, are pinnacles in the catalog of the increasingly fascinating artist’s career. Room and its b-side Caballero celebrate Shamir’s love of country music, while Resolution is a deeply introspective look into the fabric of society and the artists’ own mind.  With these two releases he has refined his craft exponentially and done so in less than six months from the release of Revelations.

Shamir Bailey

Music

Ratchet TV: Aziz Ansari: Right Now

As with so many artistic endeavors, Ada Lea’s debut album began as one thing and ended up as something else. The commonality of that process doesn’t make the story any less interesting, however, especially in the case of what we say in private — a beautifully colorful collection of profound pop songs that will be released later this summer via her new Saddle Creek home.
The Montreal, Quebec-based Alexandra Levy — who records and performs as Ada Lea — is also a painter and visual artist, and traces of her many creative abilities run throughout what we say in private. To her, music and visual art are different vessels for communicating similar ideas. Levy’s appreciation of female artists — including the writer Sylvia Plath, visual artists Frida Kahlo and Eva Hesse, and musicians Karen Dalton and Nina Simone — provides inspiration and guidance, informing her use of multiple artforms as tools for self-expression. Through all her work, Levy explores the concept of womanhood as it feels and looks to her, as well as love and how it transforms over time. She doesn’t shy away from exploring uncomfortable and painful emotions, either. With the brightness of love, strength, and hope contrasted with the darkness of loss, suffering, isolation, and abandonment, what we say in private is a varied and vivid record that constantly seems to shift in the light, bringing together all the intricate influences she’s collected over the years.
Levy delivers something very special on what we say in private. Bold and daring, but also gentle and vulnerable, the album finds new ways of presenting its vision from one inspired idea to the next, a big leap into the wider world with passion and exuberance.
(Photo Credit: Bao Ngo)

Ada Lea

Three Great Things: Ada Lea

Born and raised in the border city of Chula Vista, California, Jackie Mendoza blends the cultural influences of her hometown and her motherland of Tijuana, Mexico, creating eccentric pop, Latin-driven dance beats, and vibrant soundscapes. She’s been involved in music since she was young, listening to Latin-pop songs at family parties, and playing in bands in high school. It wasn’t until she took a course for Ableton in college that she discovered an avid interest in producing and making beats. Since then, Mendoza has been experimenting with electronic ukulele-based pop, expanding the sound to its maximum potential by layering it with beats while singing in both English and Spanish.
Mendoza’s LuvHz EP is a six track exploration of love and relationships through personal experiences and observations. She recorded the EP with Rusty Santos (Panda Bear’s Buoys), a collaborator that Mendoza quickly realized she had many parallels with. Both have lived in LA, NY, and Mexico and have an appreciation for Latin producers and Reggaeton artists, sounds that perfectly translated into Mendoza’s music.
(Photo Credit: Tayo Oyekan)

Jackie Mendoza

Three Great Things: Jackie Mendoza

Not much is known of the LA-based male/female duo Emotional Oranges, but it has been speculated that when Adele’s vocal coach and Drake’s engineer met at a bat mitzvah in 2017, the band was instantly born. A mix of funky bass, break-beat drums and jazzy guitars creates a refreshing, retro sound with futuristic undertones. Michelle Obama and Guy Fieri have both publicly championed the band. Their debut singles, “Motion” and “Personal” immediately created a cult following, generating over 12 million streams globally. “Motion” was made the official theme song for RuPaul’s Drag Race in 2018.

Emotional Oranges

Gig Economy: Emotional Oranges

Kevin Devine is an independent singer-songwriter from Brooklyn, New York. He plays alone, with his Goddamn Band, and as a member of Bad Books. The first run of his Devinyl Splits, released between February 2015 and March 2016, consisted of six split 7” singles, each featuring Devine and a different partner.  The series, released by Bad Timing Records and Devinyl Records, returns in 2018 for another run.

Kevin Devine

Three Great Things: Kevin Devine

Eric D. Johnson records and performs as the Fruit Bats. His latest album under the name is Gold Past Life. In 2020, he started the supergroup Bonny Light Horseman with Anais Mitchell and Josh Kaufman, and their self-titled debut was nominated for two Grammy Awards.
(Photo Credit: Annie Beedy)

Fruit Bats

Three Great Things: Fruit Bats

Black Mountain’s Stephen McBean turned 16 after Woodstock but before Varg started burning down Norwegian churches. And yet, until just two short years ago, McBean had lived his entire adolescence and adult life without a proper driver’s license, that first and most coveted ticket to personal independence. When he did finally take the wheel in 2017, he essentially became a Sixteen Year Old for the first time, blowing out the doors of the DMV like a pyrotechnics display at a W.A.S.P. gig. Black Mountain’s new album, Destroyer, named after the discontinued single-run 1985 Dodge Destroyer muscle car, is imbued with all that wild-ass freedom and newfound agency (and anxiety and fear) that comes with one&#8217;s first time behind the wheel.
Shacked up in his rehearsal space, McBean found an old chair in an alley, spray painted Producer on the back and pressed record. Friends from the endless rock &amp; roll highway were invited over and 22 songs were brought to life. And while some were laid back into shallow graves to dig up once again at a later date, the remaining skeletons were left above ground — given organs, skin, eyes, and the opportunity to grow their hair real long and greasy. Some of these zombie hesher jams were sent on a journey to Canada where longtime band member Jeremy Schmidt, slipping on the Official Collaborator satin jacket, had at them with his legendary synth arsenal. As he added long flowing robes, sunglasses, driving gloves and medallions, the undead songs began to transform into the new breathing creatures that make up Destroyer. Schmidt’s work with these songs was the needed transformative glue for this new era of Black Mountain.
Coming off his newfound automotive freedom, McBean also saw some personnel shuffling within Black Mountain. Both Joshua Wells and Amber Webber have retired their Black Mountain Army uniforms while Arjan Miranda paid his outstanding membership dues and rejoined. New members include Rachel Fannan (Sleepy Sun) and Adam Bulgasem (Dommengang &amp; Soft Kill) plus other familiar names like Kliph Scurlock (Flaming Lips), Kid Millions (Oneida), and John Congleton (St Vincent, Swans) take a turn in the shotgun seat. Collectively, there’s a renewed vitality to Black Mountain on Destroyer — a seasoned, veteran of heady hard rock that’s found new, young muscles to flex and roads to explore.
(Photo Credit: Magdalena Wosinska)

Black Mountain

Three Great Things: Black Mountain

Dan “The Automator” Nakamura is one of the most celebrated and successful music producers of our time. The Automator sound is unique, an eclectic yet deliberate storm of burr and jangle, spattering off slow-grinding plates of rhythmic bedrock and slashed through with expected flashes of light and heat. It’s the sound of new creation; the sound of the end of the world. It has sent acts like Gorillaz, Cornership and Kasbian to the top of the charts, and it has turned visionaries like Kool Keith and Del tha Funkee Homosapien into underground legends.

Dan The Automator

Three Great Things: Dan The Automator

Claudia Gonson is the manager for The Magnetic Fields and all of Stephin Merritt&#8216;s projects. Gonson met Merritt in high school in the &#8217;80s, and the pair have been working together ever since. Along with her management work, Claudia records and performs with The Magnetic Fields as their pianist and occasional singer, and sings with another Merritt project, Future Bible Heroes. Previously, Claudia played drums with TMF, also with the bands Tender Trap and Honeybunch. Claudia has collaborated with Shirley Simms, Tanya Donnelly, and authors Rick Moody and Neil Gaiman. Currently, Claudia is studying to be a therapist, while raising her daughter, and continues to manage and work with Stephin Merritt.

Claudia Gonson

Gig Economy: Claudia Gonson

Ratchet TV: Shrill

ENDERNESS, A.A. Bondy’s first album in eight years, was finished the day before a wildfire burned his house down. He recorded and played everything himself. Fat Possum will release on May 10.

A.A. Bondy

Three Great Things: A.A. Bondy

The ever-evolving spectacle that is Diane Coffee — the gender and genre-bending alter ego of Shaun Fleming — returns with Internet Arms, a swan dive into a lush, digital glam wonderland.
Fleming’s path to stardom can be traced all the way back to his childhood days as a Disney voice actor, but for the past six years he’s explored the depths of his identity and channeled it outward in the form of the enigmatic and exuberant Diane Coffee.
In 2018, after performing as King Herod in the Lyric Opera’s critically-acclaimed run of Jesus Christ Superstar, Fleming emerged from the recording studio with Internet Arms. Born from the fear and uncertainty of a future in which humankind is both dependent on and poisoned by technology, the album finds Diane Coffee trapped in a digital world, enslaved by AI. As a whole, Internet Arms marks a significant new phase for Fleming, a testimony to the idea that Diane Coffee will endure as a fluid form of expression that continues to defy expectations of sound and genre.
(Photo Credit: Alexa Viscius)

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