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Talkhouse

Shamir is Shamir and remains Shamir through and through, no matter what the universe puts him through. You may know the singularly named artist (think—Madonna or Cher) from his 2015 debut hit record Rachet, beloved by NPR listeners and club kids alike. After quickly rising to underground fame with his Northtown EP in 2014, the DIY pop star made a sonic splash with Rachet’s lead single “On The Regular,” a poppy banger that had extensive commercial usage. But how to follow all that up? Shamir, who came from the dusty dunes of Las Vegas, to Brooklyn’s Silent Barn, to the Philly indie scene (and all over the world in between), wanted to go back to what had inspired him from the beginning. Outsider music, country &amp; punk. Raw and vulnerable tunes, stripped down to their emotional core. 2017’s Revelations explored a new avenue of guitar driven hooky indie rock and was widely critically praised in the US and overseas.
Shamir’s most recent releases, the brilliant Room 7” on Father/Daughter, and his self-released limited edition album, Resolution, are pinnacles in the catalog of the increasingly fascinating artist’s career. Room and its b-side Caballero celebrate Shamir’s love of country music, while Resolution is a deeply introspective look into the fabric of society and the artists’ own mind.  With these two releases he has refined his craft exponentially and done so in less than six months from the release of Revelations.

Shamir Bailey

Music

Ratchet TV: Hello, Privilege. It’s Me, Chelsea

Saul Williams has been breaking ground since his debut album, Amethyst Rock Star, which was released in 2001 and executive produced by Rick Rubin. After gaining global fame for his poetry and writings at the turn of the century, Williams has performed in over thirty&nbsp;countries and read in over three hundred&nbsp;universities, with invitations that have spanned from the White House, the Sydney Opera House, Lincoln Center, The Louvre, The Getty Center, Queen Elizabeth Hall, to countless villages, townships, community centers, and prisons across the world. The Newburgh, New York, native gained a BA from Morehouse and an MFA from Tisch, and has gone on to record with Nine Inch Nails and Allen Ginsburg and has performed in numerous film and television&nbsp;roles.

Saul Williams

Three Great Things: Saul Williams

On their new self-titled EP, Swimming With Bears deliver a batch of five songs that showcase the next chapter as a band: truth and escapism. But beneath the vulnerability and personal lyrics are upbeat and fun tracks that everyone can relate to.
The self-titled EP due out later this year via Cinematic Records, marks a period of major growth for Swimming With Bears, who spent the better part of the last few years honing there craft in the writing room as well as on tour, highlighted by press like Nylon who praised them as “Swimming With Bears knows this and turned it into a glistening alt. rock anthem. Oh la la, indeed.” In bringing the new EP to life, they worked closely with producer Ryan Hadlock (produced for Lumineers, Vance Joy), immersing themselves in a more thorough recording process than they ever attempted before.
As a result of the new project, Swimming with Bears created a new genre they like to call “Pop N Roll” that is a little bit of Indie rock, a little bit of pop and always a damn good time.

Swimming With Bears

Gig Economy: Swimming With Bears

Chastity Belt’s energy is like a circuit, circling around the silly and the sincere. Tongue-in-cheek shit-shooting and existential rumination feed into each other infinitely.
Theirs is a long-term relationship, and that loop sustains them. That’s a creative thesis in and of itself, but isn’t that also just the mark of a true-blue friendship?
The band talks a lot about intention these days — how to be more present with each other. The four piece — Julia Shapiro (vocals, guitar, drums), Lydia Lund (vocals, guitar), Gretchen Grimm (drums, vocals, guitar) and Annie Truscott (bass) — is nine years deep in this, after all. It seems now, more than ever, that circuit is a movement of intentionality, one that creates a space inside which they can be themselves, among themselves. It’s a space where the euphoria of making music with your best friends is protected from the outside world’s churning expectations. It’s a kind of safe zone for the band to occupy as their best selves: a group of friends who love each other.
Their fourth record, Chastity Belt, comes out of that safe space. With the luxury of spending several weeks in the studio with Jay Som’s Melina Duterte, Chastity Belt was able to experiment. The result is their most sonically developed and nuanced record yet; one that’s not only a product of, but a series of reflections on what it means to take what you need and to understand yourself better.

Chastity Belt

Three Great Things: Chastity Belt

Negativland&#8216;s True False will be out October 25.

Negativland

Three Great Things: Negativland

Ratchet TV: Aziz Ansari: Right Now

As with so many artistic endeavors, Ada Lea’s debut album began as one thing and ended up as something else. The commonality of that process doesn’t make the story any less interesting, however, especially in the case of what we say in private — a beautifully colorful collection of profound pop songs that will be released later this summer via her new Saddle Creek home.
The Montreal, Quebec-based Alexandra Levy — who records and performs as Ada Lea — is also a painter and visual artist, and traces of her many creative abilities run throughout what we say in private. To her, music and visual art are different vessels for communicating similar ideas. Levy’s appreciation of female artists — including the writer Sylvia Plath, visual artists Frida Kahlo and Eva Hesse, and musicians Karen Dalton and Nina Simone — provides inspiration and guidance, informing her use of multiple artforms as tools for self-expression. Through all her work, Levy explores the concept of womanhood as it feels and looks to her, as well as love and how it transforms over time. She doesn’t shy away from exploring uncomfortable and painful emotions, either. With the brightness of love, strength, and hope contrasted with the darkness of loss, suffering, isolation, and abandonment, what we say in private is a varied and vivid record that constantly seems to shift in the light, bringing together all the intricate influences she’s collected over the years.
Levy delivers something very special on what we say in private. Bold and daring, but also gentle and vulnerable, the album finds new ways of presenting its vision from one inspired idea to the next, a big leap into the wider world with passion and exuberance.
(Photo Credit: Bao Ngo)

Ada Lea

Three Great Things: Ada Lea

Born and raised in the border city of Chula Vista, California, Jackie Mendoza blends the cultural influences of her hometown and her motherland of Tijuana, Mexico, creating eccentric pop, Latin-driven dance beats, and vibrant soundscapes. She’s been involved in music since she was young, listening to Latin-pop songs at family parties, and playing in bands in high school. It wasn’t until she took a course for Ableton in college that she discovered an avid interest in producing and making beats. Since then, Mendoza has been experimenting with electronic ukulele-based pop, expanding the sound to its maximum potential by layering it with beats while singing in both English and Spanish.
Mendoza’s LuvHz EP is a six track exploration of love and relationships through personal experiences and observations. She recorded the EP with Rusty Santos (Panda Bear’s Buoys), a collaborator that Mendoza quickly realized she had many parallels with. Both have lived in LA, NY, and Mexico and have an appreciation for Latin producers and Reggaeton artists, sounds that perfectly translated into Mendoza’s music.
(Photo Credit: Tayo Oyekan)

Jackie Mendoza

Three Great Things: Jackie Mendoza

Not much is known of the LA-based male/female duo Emotional Oranges, but it has been speculated that when Adele’s vocal coach and Drake’s engineer met at a bat mitzvah in 2017, the band was instantly born. A mix of funky bass, break-beat drums and jazzy guitars creates a refreshing, retro sound with futuristic undertones. Michelle Obama and Guy Fieri have both publicly championed the band. Their debut singles, “Motion” and “Personal” immediately created a cult following, generating over 12 million streams globally. “Motion” was made the official theme song for RuPaul’s Drag Race in 2018.

Emotional Oranges

Gig Economy: Emotional Oranges

Kevin Devine is an independent singer-songwriter from Brooklyn, New York. He plays alone, with his Goddamn Band, and as a member of Bad Books. The first run of his Devinyl Splits, released between February 2015 and March 2016, consisted of six split 7” singles, each featuring Devine and a different partner.  The series, released by Bad Timing Records and Devinyl Records, returns in 2018 for another run.

Kevin Devine

Three Great Things: Kevin Devine

Eric D. Johnson records and performs as the Fruit Bats. His latest album under the name is Gold Past Life. In 2020, he started the supergroup Bonny Light Horseman with Anais Mitchell and Josh Kaufman, and their self-titled debut was nominated for two Grammy Awards.
(Photo Credit: Annie Beedy)

Fruit Bats

Three Great Things: Fruit Bats

Black Mountain’s Stephen McBean turned 16 after Woodstock but before Varg started burning down Norwegian churches. And yet, until just two short years ago, McBean had lived his entire adolescence and adult life without a proper driver’s license, that first and most coveted ticket to personal independence. When he did finally take the wheel in 2017, he essentially became a Sixteen Year Old for the first time, blowing out the doors of the DMV like a pyrotechnics display at a W.A.S.P. gig. Black Mountain’s new album, Destroyer, named after the discontinued single-run 1985 Dodge Destroyer muscle car, is imbued with all that wild-ass freedom and newfound agency (and anxiety and fear) that comes with one&#8217;s first time behind the wheel.
Shacked up in his rehearsal space, McBean found an old chair in an alley, spray painted Producer on the back and pressed record. Friends from the endless rock &amp; roll highway were invited over and 22 songs were brought to life. And while some were laid back into shallow graves to dig up once again at a later date, the remaining skeletons were left above ground — given organs, skin, eyes, and the opportunity to grow their hair real long and greasy. Some of these zombie hesher jams were sent on a journey to Canada where longtime band member Jeremy Schmidt, slipping on the Official Collaborator satin jacket, had at them with his legendary synth arsenal. As he added long flowing robes, sunglasses, driving gloves and medallions, the undead songs began to transform into the new breathing creatures that make up Destroyer. Schmidt’s work with these songs was the needed transformative glue for this new era of Black Mountain.
Coming off his newfound automotive freedom, McBean also saw some personnel shuffling within Black Mountain. Both Joshua Wells and Amber Webber have retired their Black Mountain Army uniforms while Arjan Miranda paid his outstanding membership dues and rejoined. New members include Rachel Fannan (Sleepy Sun) and Adam Bulgasem (Dommengang &amp; Soft Kill) plus other familiar names like Kliph Scurlock (Flaming Lips), Kid Millions (Oneida), and John Congleton (St Vincent, Swans) take a turn in the shotgun seat. Collectively, there’s a renewed vitality to Black Mountain on Destroyer — a seasoned, veteran of heady hard rock that’s found new, young muscles to flex and roads to explore.
(Photo Credit: Magdalena Wosinska)

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