film reviews
Jennifer Prediger (Apartment Troubles) Talks Talya Lavie’s Zero Motivation
A darkly funny portrait of young Israeli girls struggling through their military service announces the arrival of an exciting new directorial talent.
Jim Hemphill (The Trouble with the Truth) Talks Roman Polanski’s Macbeth
Newly out from Criterion, Polanski's take on "the Scottish play" is a work of troubled genius which has long been unfairly overlooked.
Leigh Janiak (Honeymoon) Talks Steven Soderbergh’s The Knick
The smell of death and a striving for betterment define Soderbergh's beautifully crafted turn-of-the-century miniseries, a TV show for the ages.
Vincent Grashaw (Coldwater) Talks Jennifer Kent’s The Babadook
A standout at Sundance, this smartly constructed Australian horror film taps into primal fears about both family ties and the boogeyman under the bed.
Clay Liford (Wuss) Talks Sean Anders’ Horrible Bosses 2
How good can the sequel be if you've already forgotten everything about the original? Hopefully better than having to talk to your family members...
Riley Stearns (Faults) Talks Morten Tyldum’s The Imitation Game
Flashing back to his high-school days, the LA-based writer-director ponders how you should discuss a film you don't feel strongly about either way.
Stuart Gordon (Re-Animator) Talks Angus Sampson and Tony Mahony’s The Mule
The veteran horror director highly recommends this taut, tough, darkly funny Australian thriller, but warns that it's not one for the squeamish.
Kentucker Audley (Open Five 2) Talks Peter and Bobby Farrelly’s Dumb and Dumber To
When he was 13, he loved the original and thought it was the most hilarious thing ever. Twenty years on, will he think the sequel is funny at all?
David Cross (Hits) Talks Florian Habicht’s Pulp: A Film about Life, Death & Supermarkets
Jarvis Cocker may be a great songwriter, but that doesn't mean a film on his band is interesting. Or that writing about movies is straightforward...
Yung Chang (Up the Yangtze) Talks Patricia Benoit’s Stones in the Sun
The documentary filmmaker is greatly impressed by this intimate, simply told drama, and particularly by one movingly authentic opening scene.
Ti West (The Sacrament) Talks Tommy Lee Jones’ The Homesman
A Western that defies the trends of current mainstream cinema and proves that one of the finest actors of our generation is also a great filmmaker.
Terence Nance (An Oversimplification of Her Beauty) Talks Jeremy Xido’s Death Metal Angola
The traumatic aftermath of colonial rule is explored in this vérité documentary about an Angolan orphanage and the rock concerts it organizes.











