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Talkhouse

Julia Marchese is a filmmaker, writer, actor, podcaster, film programmer, VHS Vixen &amp; film critic. She’s known for directing the award-winning feature documentary Out of Print, an acclaimed exploration of repertory cinema culture and film preservation. She also adapted Stephen King’s short story I Know What You Need into an award-winning short film. Julia co-hosts the podcasts Horror Movie Survival Guide, The Loser’s Club and JodoWOWsky, reviews a VHS from her rainbow wall every day on her social media channels and writes about cinema for Talkhouse. Her work frequently explores nostalgia, genre cinema, physical media culture, and the communal power of moviegoing. She is @juliacmarchese on all platforms.

Julia Marchese

Film

What I’ve Learned From Reading All of Stephen King

Adam Rifkin is a writer-director whose eclectic career ranges from family comedies to thought-provoking indies to cult classics. Notable titles include The Dark Backward, Detroit Rock City, Look, Giuseppe Makes a Movie, Mousehunt, Small Soldiers and The Last Movie Star. His latest film, the Western <a href="https://lasttraintofortune.com/" target="_blank" rel="noopener">Last Train to Fortune</a>, starring Malcolm McDowell, James Paxton, Mary Steenburgen and Bernadette Peters, is out now in theaters.

Adam Rifkin

The Little Train That Finally Came Home

Avalon Fast’s new film <a href="https://darkskyfilms.com/film/camp/" target="_blank" rel="noopener">CAMP</a> hits theaters on June 26. They hail from Vancouver Island, BC, and their first film, Honeycomb, which was selected for the 2022 Slamdance Film Festival and went on to screen at Boston Underground, Calgary Underground, Etheria LA, Fantasia, and many more. In 2026, they premiered Drinking and Driving &#8211; co-directed, co-starring, and co-written with Jillian Frank &#8211; at the Los Angeles Festival of Movies. In addition to writing and directing, Fast recently starred in Louise Weard’s cultural breakout trans DIY epic Castration Movie Anthology, co-starred in prolific young filmmaker Alice Maio Mackay’s sapphic horror The Serpent’s Skin, and appeared in Jane Schoenbrun’s recent Cannes sensation Teenage Sex and Death at Camp Miasma.

Avalon Fast

Chemical Come-down and August in the Water

film essay