film essay
Heads Carolina, Tails California
Lovell Holder, the writer-director of Lavender Men and producer of The Surrender, on the pleasures of being (accidentally) bicoastal.
Devil in a Wig
Actor-writer-director Callie Hernandez takes us on a journey that starts with her love of Jonathan Glazer's banned commercial for Flake ...
How Filmmaking Became My Escape from Intimacy
Director and cinematographer Jon Bregel on creative burnout and rethinking how to make filmmaking play a truly positive role in his life.
I Made a Movie for an Industry That Didn’t Want It
Writer-director Vincent D’Alessandro on the challenges he faced finding a home in the world for his debut feature, Bottom Feeders.
The Secret Soundtrack to My Debut Feature
Writer-director-actor Max Talisman shares a definitive mixtape of the love songs that shaped his film Things Like This, which opens today.
Seeing Myself in Egghead & Twinkie
Writer-director Sarah Kambe Holland on the different aspects of her hilarious debut feature that resonate with her own real-life experiences.
The Impossibility of Promoting a Movie During a Genocide
Palestinian-German writer-director Lexi Alexander on the difficulties of releasing her new feature Absolute Dominion at this moment in time.
Interracial Relationships, Soap Operas and Me
Former soap writer Alina Adams looks at the (previously?) controversial topic of interracial love, both on screen and in her own life.
Throuples, Trauma and Taboos: Healing Through Art with My Debut Feature
Writer-director Sarah Jayne Brown on the messy, uncomfortable process of writing Unicorn’s Dilemma, now crowdfunding on Indiegogo.
To Create Something True, You Need to Forget the Rules and Just Leap
Writer-director Hala Matar on the beautiful, unexpected and slightly chaotic genesis of her debut feature, Electra, which is in theaters now.
Death of the New West: the Photography of A Desert
Writer-director Joshua Erkman on creating an entire body of work for the central character in his new movie, A Desert, which opens tomorrow.
How Editing My Film Blue Sun Palace Changed the Way I See Myself
Writer-director Constance Tsang on the transformative process of making her Cannes hit Blue Sun Palace, which is in theaters now.












