film essay
On Making Breaking In with Burt Reynolds
Gregory’s Girl director Bill Forsyth on his overlooked 1989 crime caper, in which Reynolds showed he was a great actor, not just a movie star.
Bursting From Within: Why Alien Struck a Nerve
Alexandre O. Philippe, director of Memory: The Origins of Alien, on how Ridley Scott's 1979 film defied cinematic trends to become a classic.
Shooting My Fucked Up Movie Sustainably Helped Me Sleep at Night!
Or why Daniel Scheinert made his film The Death of Dick Long in small-town Alabama with community involvement and sustainability at the fore.
How Kurosawa’s The Bad Sleep Well Helped Me to Finally Like Hamlet
For actress and writer Mara Wilson, it took seeing the Bard's classic tale of revenge through a Japanese lens for her to truly appreciate it.
How I Came to Make a Scottish Historical Epic … in Montana
Richard Gray on how he went from being an Aussie kid who loved Braveheart to revisiting characters from that film in a movie of his own.
I Believe in Monsters. I Believe in Time Machines.
Writer-director Angelica Zollo on the subject of her debut feature, Trauma is a Time Machine.
Making Fun of Work
The writer-directors of the new movie Villains are kind of heroes when it comes to their ideas about how to run a film set.
How Rescue Dogs Helped Me Become the Filmmaker I Am Today
Can You Keep a Secret? director Elise Durán on the special canine companions that have shaped her as a person and as an artist.
How To Become An Overnight Success in Just 15 Years
Writer-directors Adam Stein and Zach Lipovsky on the real, unglamorous story behind their award-winning breakthrough movie Freaks.
Musings of a Filmworker
As his latest opus, Depraved hits theaters, indie horror maestro Larry Fessenden takes a moment to remind himself exactly why he makes movies.
How I (Finally) Made My First Feature Motion Picture
Writer-director Michael Tyburski charts the unexpectedly long journey he took to make his new movie, The Sound of Silence.
How Not to Talk About a Film (Not) About Disability
For writer-director Aaron Schimberg, finding the right way to describe his latest feature, Chained for Life, has been challenging.











